試論劉德海琵琶“新古典風(fēng)格”的歷史必然性
[Abstract]:This article starts with the analysis of the external factors of the formation of Liu Dehai's pipa's "neo-classical style", and tries to analyze the inevitable conditions of Liu's pipa's "neo-classical style" in the development of Chinese modern music history. Then through the analysis of Liu Dehai pipa's "neo-classical style" creative ideas, theoretical ideas, innovative technical language and Mr. Liu Dehai's aesthetic theory and philosophical thoughts on "neo-classical style", This paper tries to analyze the internal elements of Liu Dehai's pipa's neo-classical style, thus discussing the historical inevitability of Liu's pipa's neo-classical style. This paper is divided into two chapters. The first chapter is "the external factors of the formation of Liu Dehai's pipa's" neo-classical style ". First of all, it analyzes the causes of the western neo-classical music style, and explores the similarities and differences between the western neo-classical music style and the Chinese Liu Dehai pipa's" neo-classical style ". This paper tries to analyze the historical inevitability of Liu Dehai's pipa "Neo-classical style" in the context of the development of Chinese modern music. The second chapter is "the internal factors of the formation of Liu Dehai's pipa's neo-classical style." First of all, it explains the way of the formation of "neo-classical style" under the background of nihilism and entertainism, and the creative and innovative features of forming "Liu's neo-classical style". It also explores the effect of pipa's neo-classical style on the inheritance of Chinese music in the current multi-cultural trend of thought.
【學(xué)位授予單位】:中國(guó)音樂(lè)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J632.33
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