【摘要】：豎琴作為西方最古老樂(lè)器之一,因其獨(dú)特的音樂(lè)特質(zhì)逐漸發(fā)展為中國(guó)作曲家和演奏家的新領(lǐng)域。在演奏現(xiàn)代中國(guó)特色做品時(shí),如何用中國(guó)式思維分析作品及其技法,值得演奏者思考。本文以青年作曲家杜冰兒、杜飛兒的豎琴獨(dú)奏作品《荊軻》為例,解析《荊軻》的創(chuàng)作特點(diǎn)與演奏技巧,意在讓豎琴演奏者更加精確地詮釋中國(guó)特色豎琴作品。
[Abstract]:As one of the oldest musical instruments in the West, harp has gradually developed into a new field for Chinese composers and performers because of its unique musical characteristics. How to use Chinese thinking to analyze works and their techniques is worth the player's consideration when playing with modern Chinese characteristics. This paper takes the works of the harp solo by the young composers du Bing and du Feill as an example to analyze the creative characteristics and performance skills of Jingke in order to let the harp players interpret the harp works with Chinese characteristics more accurately.
【學(xué)位授予單位】：中央音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J623.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 鄭小蓮;談?wù)勜Q琴的演奏技巧[J];星海音樂(lè)學(xué)院學(xué)報(bào);2004年02期

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本文編號(hào)：2360510