試析鋼琴音樂文化傳播與音樂文化教育——評(píng)《音樂傳播學(xué)理論教程》
發(fā)布時(shí)間：2018-10-29 13:15
【摘要】：正曾遂今教授是從事音樂社會(huì)傳播學(xué)理論的代表性學(xué)者,他在《音樂社會(huì)學(xué)教程》編著之后再次出版了一本以音樂傳播理論和實(shí)踐為研究對(duì)象的專著,即《音樂傳播學(xué)理論教程》。筆者認(rèn)為本書在內(nèi)容上有3大創(chuàng)新點(diǎn),一是"新",囊括了時(shí)下最新的傳播學(xué)環(huán)境解讀,不拘泥于傳統(tǒng),緊隨時(shí)代的步伐;二是"全",從理論架構(gòu)來說,本書用6章的
[Abstract]:Professor Zeng Suijin is a representative scholar in the theory of social communication of music. After compiling the course of Sociology of Music, he published a monograph focusing on the theory and practice of music communication. That is, the Theory of Music Communication. The author believes that there are three innovations in the content of this book, one is "new", including the latest interpretation of the communication environment, not bound to tradition, followed by the pace of the times; the other is "all", from the theoretical framework, the book uses six chapters
【作者單位】： 北京理工大學(xué);
【分類號(hào)】：G206;J624.1-4
本文編號(hào)：2297793
[Abstract]:Professor Zeng Suijin is a representative scholar in the theory of social communication of music. After compiling the course of Sociology of Music, he published a monograph focusing on the theory and practice of music communication. That is, the Theory of Music Communication. The author believes that there are three innovations in the content of this book, one is "new", including the latest interpretation of the communication environment, not bound to tradition, followed by the pace of the times; the other is "all", from the theoretical framework, the book uses six chapters
【作者單位】： 北京理工大學(xué);
【分類號(hào)】：G206;J624.1-4
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，本文編號(hào)：2297793
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