【摘要】：饒余燕先生所創(chuàng)的《音詩—驪山吟》是一部大型民族管弦樂作品,曾獲“全國第三屆音樂作品評獎大賽”二等獎。樂曲以考究的民族管弦樂法的創(chuàng)作思路,運用西方交響樂創(chuàng)作技法與中國唐代傳統(tǒng)音樂曲調(diào)相結合,不僅重構了唐代宮廷音樂景象,同時拓寬了民族管弦樂的寫作理念。筆者就讀民族管弦樂指揮專業(yè),選擇以作品的指揮詮釋與解讀為主要切入點,從作品分析與指揮解讀全面的分析這部經(jīng)典的民族管弦樂作品,了解民族管弦樂民族化與交響化完美結合的創(chuàng)作思路,并與指揮實踐相結合,幫助筆者在指揮專業(yè)道路得到良好的自我發(fā)展。
[Abstract]:Rao Yuyan's Psalm Lishan Yin is a large national orchestral work, which has won the second prize of the third National Music Award Competition. The composition combines the western symphonies with the traditional music of the Tang Dynasty, not only reconstructing the palace music scene of the Tang Dynasty, but also broadening the writing idea of the national orchestra. The author studied in the national orchestral conductor major, chose to take the interpretation and interpretation of the work as the main breakthrough point, from the work analysis and command interpretation of the comprehensive analysis of this classic national orchestral works, Understanding the creative ideas of the perfect combination of nationalization and symphony of national orchestral music, and combining with the practice of conducting, will help the author get a good self-development in the professional road of conducting.
【學位授予單位】：西安音樂學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J614;J615.2

【參考文獻】

相關期刊論文 前3條

1 吳延;;饒余燕民族管弦樂作品中復調(diào)技法的綜合運用[J];交響-西安音樂學院學報;2009年04期

2 邵吉民;走民族化道路 創(chuàng)時代新風格——前進中的西安音樂學院民族樂隊[J];交響.西安音院學報;1984年04期

3 龔建文 ,魯日融 ,蔣詠荷;探索與求新——淺析民族管弦樂音詩《驪山吟》的創(chuàng)作特點[J];交響.西安音院學報;1983年02期

，

本文編號：2274723