古拜杜琳娜作品《領悟》之九中微分音的分析
發(fā)布時間：2018-10-14 17:22
【摘要】：20世紀以來,在音高領域作曲家們在十二音的基礎上繼續(xù)拓展,形成1/4或者1/8、1/16、3/4音、微升、微降等音級,這些微小音高、音程的使用,籠統(tǒng)稱為微分音。運用微分音創(chuàng)作的代表性作曲家有美國作曲家艾夫斯、捷克作曲家哈巴等人,至俄裔德籍作曲家古拜杜琳娜時獲得體系化的發(fā)展。《領悟》是作曲家20世紀80年代初創(chuàng)作的一部人聲與樂隊的作品,共十三個樂章,標志著作曲家創(chuàng)作重心的轉移。其中,在第九樂章"我"中,作曲家在音高拓展方面使用將微分音,以經(jīng)過性或輔助性方式對微分音進行處理,使其在旋律中具有"變化音"性質。為其后期微分音音高體系的建立打下良好基礎。在內容上幫助作曲家實現(xiàn)了運用音樂與詩人的隔空對話。
[Abstract]:Since the 20th century, composers in the field of pitch have continued to expand on the basis of twelve tones to form a 1 / 4 or 1 / 8 / 1 / 1 / 16 / 3 / 4, slightly ascending, slightly descending, and the use of these tiny pitches and intervals is generally referred to as differential sounds. Representative composers who use differential sound to create works include American composer Ives, Czech composer Haba and others. The German composer of Russian descent, Gubaidulina, achieved a systematic development when she was born in Germany. Comprehension is a composer's work of voice and band in the early 1980s, with thirteen movements, indicating the shift of the composer's creative center of gravity. Among them, in the ninth movement I, the composer uses the differential tone in the aspect of pitch expansion, and processes the differential sound in the way of passing or auxiliary, so that it has the character of "change sound" in the melody. It lays a good foundation for the establishment of differential pitch system. In terms of content, it helps composers to achieve a dialogue between music and poets.
【作者單位】： 南京藝術學院;蘇州科技大學音樂學院;
【基金】：2016年度江蘇省博士后基金項目,項目編號:1601035C 2016江蘇省高校哲學社會科學研究項目:“古拜杜琳娜音樂中的音高思維研究”,編號:2016SJB760070
【分類號】：J614
[Abstract]:Since the 20th century, composers in the field of pitch have continued to expand on the basis of twelve tones to form a 1 / 4 or 1 / 8 / 1 / 1 / 16 / 3 / 4, slightly ascending, slightly descending, and the use of these tiny pitches and intervals is generally referred to as differential sounds. Representative composers who use differential sound to create works include American composer Ives, Czech composer Haba and others. The German composer of Russian descent, Gubaidulina, achieved a systematic development when she was born in Germany. Comprehension is a composer's work of voice and band in the early 1980s, with thirteen movements, indicating the shift of the composer's creative center of gravity. Among them, in the ninth movement I, the composer uses the differential tone in the aspect of pitch expansion, and processes the differential sound in the way of passing or auxiliary, so that it has the character of "change sound" in the melody. It lays a good foundation for the establishment of differential pitch system. In terms of content, it helps composers to achieve a dialogue between music and poets.
【作者單位】： 南京藝術學院;蘇州科技大學音樂學院;
【基金】：2016年度江蘇省博士后基金項目,項目編號:1601035C 2016江蘇省高校哲學社會科學研究項目:“古拜杜琳娜音樂中的音高思維研究”,編號:2016SJB760070
【分類號】：J614
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