賈國(guó)平《清調(diào)——為管弦樂隊(duì)與錄音磁帶》創(chuàng)作研究——兼論中國(guó)當(dāng)代作曲家創(chuàng)作觀念的轉(zhuǎn)變
發(fā)布時(shí)間:2018-09-03 15:15
【摘要】:正"我們中國(guó)作曲家,要有自己的標(biāo)準(zhǔn)。我們不是參照古拜杜麗娜,我們也不需要參照拉赫曼,但所有的(學(xué)習(xí))都構(gòu)成了我們的經(jīng)驗(yàn),但是更多的經(jīng)驗(yàn)是走向創(chuàng)作,走向中國(guó)的傳統(tǒng)。"~1——賈國(guó)平一、《清調(diào)》之創(chuàng)作觀念分析
[Abstract]:We Chinese composers should have their own standards. We're not looking at Guidurina, and we don't need to refer to Rahman, but all [learning] constitutes our experience, but more experience is going to be creative. The tradition towards China. Analysis of the Creative Concepts of "Li 1-Jia Guoping I", "Qing Diao"
【作者單位】: 商洛學(xué)院藝術(shù)學(xué)院;
【分類號(hào)】:J614
本文編號(hào):2220356
[Abstract]:We Chinese composers should have their own standards. We're not looking at Guidurina, and we don't need to refer to Rahman, but all [learning] constitutes our experience, but more experience is going to be creative. The tradition towards China. Analysis of the Creative Concepts of "Li 1-Jia Guoping I", "Qing Diao"
【作者單位】: 商洛學(xué)院藝術(shù)學(xué)院;
【分類號(hào)】:J614
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