【摘要】：如何簡(jiǎn)約明確地闡述"歌唱表演藝術(shù)"的審美路徑與鏈接的過(guò)程呢?——回答是:"聲、字、情、表、形、真、境"是這種美學(xué)鏈接和延伸的基本路徑,也是經(jīng)過(guò)了藝術(shù)實(shí)踐所驗(yàn)證的。究其原因,雖然只有七個(gè)字,但是,它們卻代表了歌唱藝術(shù)中的每一個(gè)重要環(huán)節(jié),它們之間的互動(dòng),基本上反映了歌唱表演藝術(shù)中,從歌唱技能、技巧到情感表達(dá)以及表演審美等各個(gè)藝術(shù)層面。然而,從歌唱表演藝術(shù)的技巧到情感以及審美效應(yīng)又是如何自然連接的?又是如何進(jìn)行著無(wú)限的美學(xué)延展呢?其中的藝術(shù)規(guī)律和奧秘又是什么呢?本文試圖通過(guò)對(duì)"七個(gè)字"的理論闡釋,深入挖掘歌唱表演藝術(shù)多個(gè)層面的鏈接互動(dòng)與審美延展問(wèn)題,并從辯證哲學(xué)觀入手,深入細(xì)致地研究歌唱表演藝術(shù)領(lǐng)域既非常熟悉但又從學(xué)理層面難以盡善盡美的一個(gè)理論話題,即:1.歌唱與表演辯證關(guān)系認(rèn)識(shí)與把握問(wèn)題,具體講來(lái),主要涉及歌唱藝術(shù)中聲音與吐字的關(guān)系鏈接問(wèn)題——字正腔圓;2.吐字行腔與情感表達(dá)的關(guān)系鏈接問(wèn)題——聲情并茂;3.聲音、吐字、情感與表情、形體表演關(guān)系的美學(xué)延展問(wèn)題——形神兼?zhèn)?4.聲音、吐字、情感表達(dá)、表情、形體表演與藝術(shù)的真實(shí)性關(guān)系的美學(xué)延展問(wèn)題——真情實(shí)感;5.聲音、吐字、情感表達(dá)、表情、形體表演、藝術(shù)的真實(shí)與入境入神關(guān)系的美學(xué)延展問(wèn)題——審美升華。本文首先將對(duì)歌唱與表演進(jìn)行整體掃描,然后,像"庖丁解牛"一樣再進(jìn)行個(gè)案分解。
[Abstract]:How to explain simply and clearly the aesthetic path and the process of linking "singing performing art"? the answer is: "Sound, words, feelings, expressions, shapes, truth and circumstances" are the basic paths of this aesthetic link and extension. It is also verified by artistic practice. The reason is that although there are only seven words, they represent every important link in the art of singing. The interaction between them basically reflects the singing skills in the performing arts of singing. Skills to emotional expression and performance aesthetic and other levels of art. However, how is the natural connection from the skills of the performing art of singing to the emotional and aesthetic effects? And how to carry on the infinite aesthetic extension? What are the laws and mysteries of art? Through the theoretical explanation of "Seven words", this paper tries to dig into the problems of the interaction and aesthetic extension of the singing performance art in many levels, and start with the dialectical philosophy. Deeply and meticulously studies the singing performance art domain both very familiar but also from the academic aspect is difficult to perfect the perfect theory topic, namely: 1. The dialectical relationship between singing and performance is a question of understanding and grasping. In particular, it mainly involves the question of the relationship between voice and spelling in singing art. The relationship between articulation and emotional expression-the relationship between voice and emotion. The aesthetic extension of the relationship between voice, speech, emotion and expression, and physical performance-both form and spirit. The aesthetic extension of the relationship between sound, spelling, emotional expression, physical performance and art-the true feeling. The aesthetic extension of the relationship between sound, spelling, emotional expression, physical performance, artistic truth and inbound spirituality-aesthetic sublimation. This paper first scans the singing and performance, then decomposes the case like Pao Ding Jie Niu.
【作者單位】： 遼寧師范大學(xué)音樂(lè)學(xué)院;
【分類號(hào)】：J616

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