【摘要】：本文以18世紀(jì)上半葉的鍵盤協(xié)奏曲作為主要研究對(duì)象,介紹了巴洛克時(shí)期鍵盤音樂(lè)發(fā)展以及18世紀(jì)上半葉鍵盤協(xié)奏曲的創(chuàng)作特征,其中主要包括J·S·巴赫的鍵盤音樂(lè)創(chuàng)作以及亨德?tīng)柕逆I盤音樂(lè)創(chuàng)作。之后分別對(duì)J·S·巴赫的古鋼琴協(xié)奏曲代表作品《意大利協(xié)奏曲》與亨德?tīng)柕墓茱L(fēng)琴協(xié)奏曲代表作品《管風(fēng)琴協(xié)奏曲Op.4》的創(chuàng)作特征與風(fēng)格進(jìn)行音樂(lè)分析,通過(guò)對(duì)兩位作曲家的音樂(lè)作品本體進(jìn)行分析研究,概括出18世紀(jì)上半葉鍵盤協(xié)奏曲的風(fēng)格特征以及對(duì)后世作曲家在鍵盤協(xié)奏曲領(lǐng)域創(chuàng)作所產(chǎn)生的影響。本論文共分為四個(gè)部分:第一部分:巴洛克時(shí)期的鍵盤協(xié)奏曲發(fā)展。分別論述了巴洛克時(shí)期法國(guó)古鋼琴與德國(guó)管風(fēng)琴的發(fā)展,以及17世紀(jì)下半葉三種協(xié)奏曲基本形式的發(fā)展與18世紀(jì)上半葉獨(dú)奏協(xié)奏曲的發(fā)展,對(duì)鍵盤協(xié)奏曲產(chǎn)生前的音樂(lè)發(fā)展概況作了分析介紹。第二部分:18世紀(jì)上半葉J·S·巴赫鍵盤協(xié)奏曲音樂(lè)創(chuàng)作。首先,對(duì)J·S·巴赫在18世紀(jì)上半葉所改編的幾首古鋼琴協(xié)奏曲作品進(jìn)行介紹;之后對(duì)他的經(jīng)典古鋼琴協(xié)奏曲作品《意大利協(xié)奏曲》進(jìn)行音樂(lè)分析并介紹了意大利音樂(lè)風(fēng)格;最后,總結(jié)出J·S·巴赫的鍵盤音樂(lè)創(chuàng)作及鍵盤協(xié)奏曲的音樂(lè)風(fēng)格特征。第三部分:18世紀(jì)上半葉亨德?tīng)栨I盤協(xié)奏曲音樂(lè)特征。首先對(duì)亨德?tīng)柕墓茱L(fēng)琴協(xié)奏曲作品《管風(fēng)琴協(xié)奏曲Op.4》進(jìn)行音樂(lè)分析;之后總結(jié)出亨德?tīng)柕逆I盤音樂(lè)創(chuàng)作及鍵盤協(xié)奏曲音樂(lè)風(fēng)格特征。第四部分:18世紀(jì)上半葉鍵盤協(xié)奏曲的風(fēng)格特征及影響。結(jié)合第二部分、第三部分中相關(guān)的作品的分析研究,總結(jié)出18世紀(jì)上半葉鍵盤協(xié)奏曲的風(fēng)格特征,并分析探討這一時(shí)期鍵盤協(xié)奏曲對(duì)后世協(xié)奏曲體裁創(chuàng)作所產(chǎn)生的影響。
[Abstract]:Taking the keyboard concerto of the first half of the 18th century as the main research object, this paper introduces the development of keyboard music in the Baroque period and the creative characteristics of the keyboard concerto in the first half of the 18th century. It mainly includes J. S. Bach's keyboard music creation and Handel's keyboard music creation. After that, it analyzes the creative characteristics and style of J. S. Bach's classical piano concerto "Italian Concerto" and Handel's "Organ Concerto Op.4", respectively. By analyzing the music works of two composers, this paper summarizes the style characteristics of keyboard concertos in the first half of the 18th century and their influence on the creation of keyboard concertos by later composers. This thesis is divided into four parts: the first part: the development of keyboard concerto in Baroque period. The development of the ancient French piano and the German organ during the Baroque period, the development of three basic forms of concerto in the second half of the 17th century and the development of the soloist concerto in the first half of the 18th century are discussed respectively. This paper introduces the development of keyboard concerto before it comes into being. The second part is the music creation of J. S. Bach keyboard concerto in the first half of the 18 th century. First of all, the author introduces several ancient piano concertos adapted by J. S. Bach in the first half of the 18th century, and then analyzes his classical piano concerto "Italian Concerto" and introduces the Italian musical style. Summarizes J. S. Bach's keyboard music creation and the keyboard concerto music style characteristic. Part three: the music features of Handel keyboard concerto in the first half of the 18 th century. This paper first analyzes Handel's Organ Concerto work < Organ Concerto Op.4 >, then summarizes Handel's keyboard music creation and keyboard concerto music style. Part four: the style and influence of the keyboard concerto in the first half of the 18 th century. Combined with the analysis and study of the related works in the second part and the third part, this paper summarizes the style characteristics of the keyboard concerto in the first half of the 18th century, and analyzes the influence of the keyboard concerto on the genre creation of the later generations.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1

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本文編號(hào)：2122136