本文選題：揚(yáng)琴 + 《狂想曲》��； 參考：《南京藝術(shù)學(xué)院》2016年碩士論文

【摘要】：中央民族樂團(tuán)駐團(tuán)作曲家王丹紅女士,將中國傳統(tǒng)樂器--揚(yáng)琴與西方爵士音樂風(fēng)格結(jié)合,創(chuàng)作了揚(yáng)琴協(xié)奏曲《狂想曲》。該作品不僅融入了現(xiàn)代音樂的時尚風(fēng)貌,又充分展示了揚(yáng)琴的炫技功能,徹底顛覆了聽眾對傳統(tǒng)揚(yáng)琴的認(rèn)識,是當(dāng)代揚(yáng)琴作品的新穎之作,是揚(yáng)琴演奏在民樂舞臺上的開拓之作。本文共分文三個章節(jié),結(jié)合筆者的切身演奏體會,對《狂想曲》進(jìn)行全面的探討。第一章節(jié)通過對作品體裁、結(jié)構(gòu)、調(diào)性、主題、節(jié)奏、節(jié)拍特征的深入剖析,來對作品的音樂形態(tài)進(jìn)行深層次的分析。第二章節(jié)則通過列舉不同演奏技巧的組合運(yùn)用,及對合理選擇“二位音”、快速改變竹序的演奏,使演奏者以精湛的技藝對作品進(jìn)行完美的演繹。第三章節(jié)通過對其作品新穎性、開拓性的闡述,展示其獨(dú)特的藝術(shù)價值。
[Abstract]:Ms. Wang Dan Hong, composer of the Central National Orchestra, combined the Chinese traditional musical instrument, the yangqin, with the western jazz music style, and created the Yankee Concerto "Rhapsody". This work not only integrates the fashion style of modern music, but also fully demonstrates the dazzling function of the yangqin, completely subverts the audience's understanding of the traditional yangqin, and is a novel work of the contemporary yangqin works. It is the pioneering work of yangqin playing on the folk music stage. This article is divided into three chapters, combined with the author's personal experience, a comprehensive discussion of Rhapsody. The first chapter makes a deep analysis of the music form by analyzing the genre, structure, tonality, theme, rhythm and rhythm of the works. The second chapter lists the combination and application of different performance techniques, and the rational selection of "double tone", and changes the performance of bamboo sequence quickly, so that the performer can perform the works perfectly with exquisite skills. The third chapter shows its unique artistic value by expounding its novelty and pioneering nature.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J632.51
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本文編號：2034650