論李斯特鋼琴練習(xí)曲《森林的呼嘯》創(chuàng)作背景與演奏技巧分析
發(fā)布時(shí)間:2018-06-15 08:12
本文選題:李斯特 + 鋼琴練習(xí)曲; 參考:《吉林藝術(shù)學(xué)院》2017年碩士論文
【摘要】:李斯特是浪漫主義時(shí)期鋼琴藝術(shù)的代表人物,有著極為輝煌的音樂(lè)成就。隨著藝術(shù)思潮、藝術(shù)風(fēng)格、藝術(shù)潮流等在世界范圍內(nèi)往更深層次的層面融合,對(duì)曲目的理解不再只限于曲目本身,而是結(jié)合時(shí)代背景,創(chuàng)作風(fēng)格,以及演奏技巧相結(jié)合,更為立體的演奏曲目。尤其是我們?cè)诿鎸?duì)民族化和國(guó)際化、后現(xiàn)代化和現(xiàn)代化等藝術(shù)視角的分析時(shí),更加有助于加強(qiáng)對(duì)音樂(lè)藝術(shù)本質(zhì)規(guī)律的認(rèn)識(shí)。本文通過(guò)對(duì)李斯特音樂(lè)創(chuàng)作風(fēng)格的形成以及《森林的呼嘯》這首鋼琴曲的創(chuàng)作背景、創(chuàng)作風(fēng)格、曲式風(fēng)格以及演奏技巧進(jìn)行分析,從而有助于更為深刻的理解、更清晰的演奏李斯特音樂(lè)會(huì)練習(xí)曲《森林的呼嘯》,同時(shí)也更有助于我們加強(qiáng)對(duì)西方近現(xiàn)代藝術(shù)脈絡(luò)發(fā)展的理解。
[Abstract]:Liszt is the representative figure of piano art during the Romantic period, and has extremely brilliant musical achievements. As art trends, artistic styles, art trends, and so on are merged to a deeper level around the world, the understanding of the music is no longer limited to the track itself, but in combination with the background of the times, the style of creation, and the performance skills. A more stereoscopic repertoire. Especially in the face of nationalization and internationalization, post-modernization and other artistic perspectives of analysis, it is more helpful to strengthen the understanding of the essential law of music art. In this paper, the formation of Liszt's musical creation style and the background, style, style and performance skills of the piano song "Wuthering of the Forest" are analyzed, thus contributing to a deeper understanding. A clearer performance of Liszt's concert Etudes, the Roar of the Forest, also helps us to better understand the development of modern western art.
【學(xué)位授予單位】:吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J624.1
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 呂文雄;;淺談李斯特鋼琴音樂(lè)的個(gè)性特征[J];音樂(lè)時(shí)空;2013年08期
2 李t,
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