本文選題：田青 + 學術成果　； 參考：《黃鐘(武漢音樂學院學報)》2017年03期

【摘要】：筆者在系統(tǒng)閱讀與全面梳理田青30多年的學術成果基礎之上,縱觀田青的多領域研究,從"敢于突破:對學術研究'定格'的開啟"、"整體性研究與實踐觀:從'中國佛教音樂'研究到'非遺'保護"、"直面現實:多維學術研究時空中的圓融互通"、"傳統(tǒng)文人的'不忘初心'與社會轉型中的'和而不同'"四個層面對田青學術成果進行了深入研究。帶著學術研究應該為誰而作、為何而做的思考,總結田青30多年來的研究成果所呈現出的特點,給予田青學術研究以相對客觀的評價,從而認為在現代化和全球化的進程中,文化擁有者在多元文化并置格局中的自我認知決定著在本國文化受到外來文化沖擊與挑戰(zhàn)時,一個學者所堅持的文化態(tài)度與文化選擇。
[Abstract]:On the basis of systematic reading and comprehensive combing of Tian Qing's academic achievements for more than 30 years, the author makes a survey of Tian Qing's multi-domain research. From "dare to break through: the opening of academic research 'freeze'", "holistic research and practice view: from 'Chinese Buddhist music' research to 'non-posthumous' protection", "face reality: the intercommunion in the space and time of multidimensional academic research", "Biography" The academic achievements of Tian Qing were deeply studied from four aspects of scholars' not forgetting the original ideal and ambition 'and' harmony but difference'in social transformation. Taking into account who and why academic research should be done, summarizing the characteristics of Tian Qing's research results over the past 30 years, giving Tian Qing a relatively objective evaluation of academic research, and thus thinking that in the process of modernization and globalization, The self-cognition of the cultural owner in the multi-cultural juxtaposition determines the cultural attitude and cultural choice of a scholar when the culture of his country is challenged and challenged by the foreign culture.
【作者單位】： 中國社會科學院民族文學研究所;
【分類號】：J608
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本文編號：1958144