本文選題：樂(lè)營(yíng) + 營(yíng)妓　； 參考：《藝術(shù)探索》2016年05期

【摘要】："樂(lè)營(yíng)"至唐代已有三層含義,即營(yíng)妓的組織機(jī)構(gòu)、音樂(lè)活動(dòng)經(jīng)營(yíng)區(qū)域、營(yíng)妓固定居所。唐代營(yíng)妓是樂(lè)籍管理下隸屬于軍隊(duì)的一群。就現(xiàn)實(shí)的服務(wù)對(duì)象和具體營(yíng)業(yè)范圍來(lái)看,營(yíng)妓與地方官妓不存在涇渭分明的嚴(yán)格區(qū)別。這種區(qū)分的不明確性,導(dǎo)致了后世二者的稱(chēng)呼混用和指代不明,而這一點(diǎn)又恰恰反映出,樂(lè)籍制度下,女樂(lè)作為俗樂(lè)服務(wù)群體的多層面、廣泛性的存在。
[Abstract]:"Yue Ying" to the Tang Dynasty has three meanings, namely, the organization of prostitution, music activities management area, camp prostitutes fixed residence. The Tang Dynasty camp prostitution is under the music nationality management subordinate to the army a group. From the point of view of the actual service object and the specific business scope, there is no sharp and strict difference between the management prostitution and the local official prostitute. The ambiguity of this distinction leads to the mixed use of the two terms and the ambiguity of reference, which precisely reflects the existence of women's music as a multi-level and extensive service group of vulgar music in the system of music and nationality.
【作者單位】： 中國(guó)藝術(shù)研究院音樂(lè)研究所;
【基金】：國(guó)家哲學(xué)社會(huì)科學(xué)基金藝術(shù)學(xué)青年項(xiàng)目“宋以來(lái)中國(guó)封建王朝中央用樂(lè)管理機(jī)構(gòu)研究”(13CB101)
【分類(lèi)號(hào)】：J609.2
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本文編號(hào)：1901475