本文選題：流行音樂價值 + 中國風(fēng)音樂　； 參考：《四川戲劇》2016年02期

【摘要】：面對相當(dāng)完善的流行音樂產(chǎn)業(yè),從西方古典音樂和民族音樂抽離的傳統(tǒng)音樂評價體系,在當(dāng)代已經(jīng)失去了對流行音樂的闡釋效力,使得當(dāng)前的流行音樂評價體系出現(xiàn)了偏離和窄化。消費社會下音樂內(nèi)涵已發(fā)生變化,我們必須更新流行音樂價值評價體系,以更加客觀和開放式的姿態(tài)去理解流行音樂以及其在消費社會下的合法性。
[Abstract]:In the face of the quite perfect pop music industry, the traditional music evaluation system, which is separated from western classical music and folk music, has lost its interpretation of pop music in the contemporary era. It makes the current pop music evaluation system deviate and narrow. The connotation of music has changed in the consumer society. We must renew the value evaluation system of pop music and understand the legitimacy of pop music and its legitimacy under the consumer society with a more objective and open attitude.
【作者單位】： 四川大學(xué)文學(xué)與新聞學(xué)院符號學(xué)-傳媒學(xué)研究所;
【分類號】：J605
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本文編號：1872943