本文選題：搖滾樂 + 大眾文化��； 參考：《暨南大學(xué)》2017年碩士論文

【摘要】：1986年,崔健在北京工人體育館演繹的《一無所有》,真切地表達(dá)了一代人的思想心理及文化狀態(tài)。搖滾樂在中國內(nèi)地誕生以來,以其反叛性和不妥協(xié)的態(tài)度一直處于文化邊緣的狀態(tài),又以其真實(shí)性和獨(dú)立性映射著時(shí)代精神的變遷。在價(jià)值迷失的時(shí)代,搖滾樂成為了人格覺醒的思想武器;在追逐利潤的市場經(jīng)濟(jì)體制改革時(shí)代,搖滾樂因與資本的合作達(dá)到了發(fā)展巔峰,也因資本的撤回和去環(huán)境的政治化而陷入低迷;在價(jià)值多元的消費(fèi)時(shí)代,搖滾樂在與商業(yè)、大眾、主流意識(shí)形態(tài)的協(xié)商下得到了新的發(fā)展,碰撞出包含批判與娛樂的多種內(nèi)容和形式,并在主流文化中嶄露頭角。文藝的發(fā)展是一面映照時(shí)代變遷的鏡子,本文借助研究搖滾樂在中國內(nèi)地的發(fā)展——從精神獨(dú)立到與多方話語協(xié)商的過程,旨在能通過這條線索,探索中國社會(huì)在改革開放以來的文化變遷并對(duì)大眾文化進(jìn)行反思。同時(shí),希望通過回望中國內(nèi)地?fù)u滾音樂的發(fā)展歷史,對(duì)其當(dāng)下出現(xiàn)的發(fā)展問題尋因究果,找出一個(gè)適合中國國情的前進(jìn)方向。
[Abstract]:In 1986, Cui Jian's "nothing" in Beijing Worker's Stadium truly expressed the ideological, psychological and cultural state of a generation. Since its birth in the mainland of China, rock music has always been on the edge of culture with its rebellious and uncompromising attitude, and its authenticity and independence reflect the changes of the spirit of the times. In the age of lost value, rock music has become the ideological weapon of personality awakening. In the era of market economic system reform, the cooperation between rock music and capital has reached the peak of development. Because of the withdrawal of capital and the depoliticization of the environment, rock music has developed new in the era of multi-value consumption, in consultation with the commercial, popular, and mainstream ideologies. Collision contains criticism and entertainment of a variety of content and forms, and emerging in the mainstream culture. The development of literature and art is a mirror reflecting the changes of the times. By studying the development of rock music in the mainland of China-from spiritual independence to negotiation with various discourse, the purpose of this paper is to pass through this clue. To explore the cultural changes of Chinese society since the reform and opening up and to reflect on popular culture. At the same time, I hope to look back on the development history of rock music in the mainland of China, find out the cause of its current development problems, and find out a way forward suitable for China's national conditions.
【學(xué)位授予單位】：暨南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J609.2

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