本文選題：嘉絨藏族民歌 + 分類研究��； 參考：《中國音樂學(xué)院》2017年碩士論文

【摘要】：嘉絨藏族民歌作為我國非物質(zhì)文化的重要遺產(chǎn),一直在安寧地區(qū)生生不息。新的經(jīng)濟(jì)形式打破了傳統(tǒng)的生活方式,致使嘉絨藏族民歌傳承有恙。社會(huì)發(fā)展已是不可阻擋的潮流,落后地區(qū)的新變化也是勢(shì)在必然。不過,我們還是希冀能通過努力,把生活中質(zhì)樸的、靈魂的、精神的美流傳下來,綿延后世,化育心靈,澤福后代。所以,本文有意著眼于安寧嘉絨藏族的民歌傳承問題,主要通過民歌調(diào)查、分類、傳承現(xiàn)狀研究和傳承建議四個(gè)方面,分五個(gè)章節(jié)逐次展開討論,以達(dá)到深入民間、理論指導(dǎo)、舊曲新唱的新效果。第一章為緒論,主要說明了本文的研究緣起、方法、意義,以及對(duì)相關(guān)文獻(xiàn)做了綜述;第二章概述了安寧嘉絨藏族民歌的創(chuàng)作背景、分布地域、歷史源流及民歌的收集;第三章對(duì)所收集的嘉絨藏族民歌展開分類研究并對(duì)安寧嘉絨藏族民歌的特征進(jìn)行論述;第四章對(duì)安寧嘉絨藏族民歌的傳承方式、傳承現(xiàn)狀和傳承過程中所面臨的問題展開分析研究;第五章針對(duì)安寧嘉絨藏族民歌傳承中存在的問題提出自己的觀點(diǎn)結(jié)論。通過上述研究,得出以下結(jié)論:筆者認(rèn)為,永遠(yuǎn)保持嘉絨藏族民歌的原生性是不客觀的,因此,提煉其優(yōu)秀的內(nèi)核美、精神美,不斷地在穩(wěn)定與變化中求得長久才是符合自然規(guī)律的做法。具體說,就是用新的方法與智慧,讓傳統(tǒng)既能傳承,又能與時(shí)俱進(jìn),符合現(xiàn)代審美需求。當(dāng)然,僅僅如此還不足以盡善盡美,所以,本文又提出了“政府建立相應(yīng)的保護(hù)機(jī)制”;“民間傳承和學(xué)校教育相融合”等新方法,擇點(diǎn)試驗(yàn),再大刀闊斧。若此方案切實(shí)可行,則必可大步向前,蔚然形成新的醇美之風(fēng)。
[Abstract]:As an important heritage of China's intangible culture, Jialong Tibetan folk songs have been living in Anning area.The new economic form broke the traditional way of life, resulting in the inheritance of Tibetan folk songs.Social development is an irresistible trend, and the new changes in backward areas are inevitable.However, we still hope that through efforts, the simple, soul, spiritual beauty of life will be handed down, extended to later generations, the cultivation of the soul, blessing future generations.Therefore, this paper intends to focus on the inheritance of folk songs of Anning Jiarong Tibetans, mainly through the investigation, classification, inheritance status and inheritance of the four aspects, divided into five chapters one by one to discuss, in order to reach deep into the folk, theoretical guidance,The new effect of a new song.The first chapter is the introduction, which mainly explains the origin, method, significance of this study, and summarizes the related literature, the second chapter summarizes the background, distribution region, historical origin and collection of folk songs of Anning Jiarong Tibetan nationality.The third chapter classifies the collected Tibetan folk songs and discusses the characteristics of Anning Jiarong Tibetan folk songs, the fourth chapter is about the inheritance of Anning Jiarong Tibetan folk songs.The present situation of inheritance and the problems faced in the process of inheritance are analyzed and studied. The fifth chapter puts forward its own views and conclusions on the problems existing in the inheritance of Anning Jiarong Tibetan folk songs.Through the above research, we draw the following conclusions: the author thinks that it is not objective to keep the original nature of the Tibetan folk songs of Jia-nong forever, therefore, to refine its excellent core beauty and spiritual beauty,It is only in keeping with the law of nature to keep on seeking the long term in the process of stability and change.Specifically, it is to use new methods and wisdom, so that tradition can be passed on, and can keep pace with the times, in line with the modern aesthetic needs.Of course, just like this is not perfect enough, so this paper puts forward some new methods, such as "the government establishes the corresponding protection mechanism" and "the folk inheritance and the school education merge together" and so on.If this scheme is feasible, it must be able to stride forward and form a new style of mellow beauty.
【學(xué)位授予單位】：中國音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J607

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