本文選題：管弦樂隊(duì)　切入點(diǎn)：西洋　出處：《人民音樂》2017年11期

【摘要】：正筆者從學(xué)習(xí)樂器、參加樂隊(duì)演奏、指揮樂隊(duì)演出開始走上職業(yè)音樂道路,從一個(gè)樂隊(duì)聲音的制造者到一個(gè)創(chuàng)造者及聆聽者。多年從事著樂隊(duì)音樂創(chuàng)作及作曲和管弦樂法教學(xué)與研究,對(duì)管弦樂隊(duì)有很多想法和思考。西洋管弦樂隊(duì)發(fā)展至今,由自由組合的不固定的小型編制樂隊(duì)到相對(duì)固定編制的大型管弦樂隊(duì),其發(fā)展已經(jīng)了幾百年的時(shí)間。隨著作曲家們對(duì)交響樂這種體裁寫法的趨同,交響樂隊(duì)的樂器及編制也
[Abstract]:The author began to take professional music from learning musical instruments, participating in band playing and conducting band performances. From the producer of a band's voice to the creator and listener of a band. For many years, he has been engaged in the teaching and research of orchestra music creation and composition and orchestral methods, and has a lot of ideas and thoughts on the orchestra. It has been hundreds of years since the development of a small, freely formed band to a relatively fixed, large orchestra. As composers converge on the genres of symphonies, the instruments of symphonic bands and their composition
【作者單位】： 中國(guó)音樂學(xué)院作曲系;
【分類號(hào)】：J632.61
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本文編號(hào)：1653614