清代揚(yáng)州界畫的興起原因初探
發(fā)布時間:2018-02-13 07:30
本文關(guān)鍵詞: 清代揚(yáng)州 界畫 揚(yáng)州經(jīng)濟(jì) 蕭晨 原因初探 袁江 職業(yè)畫家 畫學(xué) 李思訓(xùn) 李寅 出處:《新美術(shù)》2017年04期 論文類型:期刊論文
【摘要】:正清代揚(yáng)州活躍著一批以界畫見長的職業(yè)畫家,包括李寅、王云、蕭晨、袁江、袁耀、顏嶧、張震、張為邦、張廷彥等人。他們當(dāng)中有人曾供奉宮廷,有人為鹽商巨賈作畫,還有一些人能與文人騷客詩畫唱和。他們均為揚(yáng)州本土畫家,之間聯(lián)系密切,有師承、家族的傳承等關(guān)系。這批揚(yáng)州畫家直接師法唐宋,畫學(xué)大、小李將軍自成一派;在用筆上精謹(jǐn)工穩(wěn),在構(gòu)圖上氣勢磅礴,在
[Abstract]:In the Qing Dynasty, Yangzhou was active in a number of professional painters, including Li Yin, Wang Yun, Xiao Chen, Yuan Jiang, Yuan Yao, Yan Yue, Zhang Zhen, Zhang Weibang, Zhang Tingyan, etc. Some of them had dedicated themselves to the palace and others had painted for the salt merchant Giant Jia. There are also some people who can make peace with literati poets and paintings. They are all local painters in Yangzhou. They are closely connected with each other and have the relationship of inheritance of their families. These Yangzhou painters directly learn from the Tang and Song dynasties, and learn painting greatly, and Xiao Li becomes a school of his own. In the pen on the fine and steady, in the composition of the majestic, in the
【基金】:教育部人文社會科學(xué)一般項目“清代揚(yáng)州界研究”階段性成果,編號:14YJA760005 江蘇省教育廳高校哲學(xué)社會基金項目“清初揚(yáng)州界畫研究”階段性成果,編號:2014SJB773
【分類號】:J609.2
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1 王小平;;《揚(yáng)州畫舫錄》與清代揚(yáng)州的音樂活動[J];藝術(shù)百家;2006年05期
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