傳統(tǒng)藏戲的開放性結構
發(fā)布時間：2019-07-23 20:31
【摘要】：傳統(tǒng)藏戲大多采用了一種連綴式的故事編寫手法。為保證故事的完整性和連貫性,傳統(tǒng)藏戲往往會將故事發(fā)生的各種淵源交待得明明白白。傳統(tǒng)藏戲基本都是圍繞"一人"來敘述故事的,以"一人"為中心。在某些傳統(tǒng)藏戲中"一人"是由兩代人或夫妻二人相續(xù)完成的。在時間維度方面,傳統(tǒng)藏戲通過故事敘述的完整性、連貫性、單向性("一次過")等而顯示出一種明顯的開放性結構特征。在空間維度方面,藏族地區(qū)曠野中主要的景點幾乎全部被囊括,無所不包地被納入藏戲之中。歷史上藏族主要的人物類別,藏族地區(qū)常見的,甚至能夠想到的動物形象,幾乎都進入了傳統(tǒng)藏戲之中。
[Abstract]:Most of the traditional Tibetan dramas use a serial storytelling technique. In order to ensure the integrity and consistency of the story, the traditional Tibetan opera often explains the origin of the story clearly. The traditional Tibetan opera basically revolves around "one person" to tell the story, takes "one person" as the center. In some traditional Tibetan plays, "one person" is completed by two generations or two couples. In the aspect of time dimension, the traditional Tibetan opera shows an obvious open structural feature through the integrity, coherence and unidirectional ("one go") of the story narration. In terms of spatial dimension, almost all the main scenic spots in the Tibetan wilderness are included in Tibetan opera. In history, the main Tibetan characters, the common and even imaginable animal images in Tibetan areas, have almost all entered the traditional Tibetan opera.
【作者單位】： 成都大學文學與新聞傳播學院;
【分類號】：J825
，
本文編號：2518386
[Abstract]:Most of the traditional Tibetan dramas use a serial storytelling technique. In order to ensure the integrity and consistency of the story, the traditional Tibetan opera often explains the origin of the story clearly. The traditional Tibetan opera basically revolves around "one person" to tell the story, takes "one person" as the center. In some traditional Tibetan plays, "one person" is completed by two generations or two couples. In the aspect of time dimension, the traditional Tibetan opera shows an obvious open structural feature through the integrity, coherence and unidirectional ("one go") of the story narration. In terms of spatial dimension, almost all the main scenic spots in the Tibetan wilderness are included in Tibetan opera. In history, the main Tibetan characters, the common and even imaginable animal images in Tibetan areas, have almost all entered the traditional Tibetan opera.
【作者單位】： 成都大學文學與新聞傳播學院;
【分類號】：J825
，
本文編號：2518386
本文鏈接：http://www.sikaile.net/wenyilunwen/xijuwudaolunwen/2518386.html
