【摘要】：輝煌燦爛的中國(guó)戲曲藝術(shù)，，集中華文化之精華，堪稱中國(guó)藝術(shù)的瑰寶。地處南北交通樞紐的山東，一直是經(jīng)濟(jì)和文化較發(fā)達(dá)的地區(qū)，也是戲曲藝術(shù)的繁榮之地。中國(guó)的317個(gè)劇種（《中國(guó)大百科全書(shū)．戲曲曲藝卷》），山東就有30幾個(gè)，其戲曲聲腔類型有梆子腔系統(tǒng)、弦索腔系統(tǒng)、肘鼓子腔系統(tǒng)、“歌舞——戲曲”系統(tǒng)和“說(shuō)唱——戲曲”系統(tǒng)等。其中梆子腔劇種有山東梆子、萊蕪梆子、東路梆子、棗梆、靠山梆子、大平調(diào)等。 山東黃河三角洲地區(qū)的戲曲劇種也有數(shù)十個(gè)，其中東路梆子是該地區(qū)特有的梆子腔劇種。在清前中期由山陜梆子流傳到該地區(qū)，并吸收當(dāng)?shù)氐拿窀�、曲藝等民間音樂(lè)藝術(shù)形式，結(jié)合當(dāng)?shù)氐姆窖远纬�。由于此梆子腔在章丘最為流行，遂起名為章丘梆子，后為與河北梆子區(qū)分故又名為“東路梆子”。當(dāng)時(shí)的東路梆子與京劇、河北梆子、呂劇、五音戲等劇種組合成“三合班”或“五六合班”1同臺(tái)演出，并從中吸取營(yíng)養(yǎng)，汲取精華，豐富和發(fā)展了東路梆子的唱腔。同時(shí)也影響著山東地區(qū)其他的戲曲劇種。 本文主要運(yùn)用了音樂(lè)史學(xué)、音樂(lè)傳播學(xué)、民族音樂(lè)學(xué)及音樂(lè)分析學(xué)的方法對(duì)東路梆子的淵源發(fā)展、音樂(lè)特點(diǎn)等方面作了較深入的研究。 本文內(nèi)容主要分為五部分：一、論題的由來(lái)及其研究意義，包括當(dāng)前東路梆子的研究現(xiàn)狀，本論文研究的目的和意義以及筆者在前人研究的基礎(chǔ)上力求所做的突破。二、筆者運(yùn)用音樂(lè)史學(xué)和音樂(lè)傳播學(xué)的方法對(duì)東路梆子的淵源和發(fā)展脈絡(luò)方面做了分析。三、音樂(lè)本體方面，筆者運(yùn)用音樂(lè)分析學(xué)的方法對(duì)東路梆子的板式、聲腔、結(jié)構(gòu)體制、演唱方法、樂(lè)隊(duì)等方面作了補(bǔ)充和突破。其中板式方面主要對(duì)其稱謂、分類和同名異板、同板異名的問(wèn)題做了分析。聲腔方面，對(duì)東路梆子的整體聲腔旋律特點(diǎn)、聲腔中梆子腔的特點(diǎn)、其他曲牌聲腔的特點(diǎn)及聲腔與唱詞關(guān)系方面做了研究。結(jié)構(gòu)體制方面，對(duì)東路梆子的整體性結(jié)構(gòu)體制和唱段式結(jié)構(gòu)體制（唱詞格式特點(diǎn)、起腔落板、伴奏過(guò)門(mén)）兩個(gè)層面加以探討。演唱方面，對(duì)東路梆子的發(fā)聲特色和潤(rùn)腔（字正的潤(rùn)腔和腔圓的潤(rùn)腔）特色做了重點(diǎn)研究。四、在論證其音樂(lè)本體的同時(shí)，對(duì)它與當(dāng)?shù)貍鹘y(tǒng)音樂(lè)（民歌、歌舞、說(shuō)唱、其他劇種音樂(lè)、宗教音樂(lè)）互相滲透的關(guān)系作了初步的研究。五、結(jié)論，對(duì)東路梆子的淵源、音樂(lè)特色等方面作了簡(jiǎn)要的總結(jié)。
[Abstract]:Brilliant Chinese opera art, the essence of Chinese culture, can be called the gem of Chinese art. Shandong, which is located at the transportation hub of north and south, has always been a more developed area of economy and culture, and also a prosperous place for opera art. In China, there are more than 30 operas in Shandong Province ("Chinese Encyclopedia of China.") there are three types of operas: Bangzi system, string cable system, elbow drum subcavity system. Song and dance-opera system and rap-opera system. Among them, Bangzi Opera has Shandong Bangzi, Laiwu Bangzi, Donglu Bangzi, date bang, Shushan Bangzi, big flat tone and so on. There are dozens of opera dramas in the Yellow River Delta area of Shandong Province, among which Donglu Bangzi is a unique Bangzi opera in this area. In the middle of Qing Dynasty, Shanshan Bangzi spread to the area, absorbing local folk songs, quyi and other folk music art forms, combined with the local dialect and formed. Because this Bangzi cavity is the most popular in Zhangqiu, then named Zhangqiu Bangzi, and Hebei Bangzi after the distinction is also known as "East Road Bangzi." At that time, Donglu Bangzi and Beijing Opera, Hebei Bangzi, Lu Opera, Wuyin Opera and other operas combined into "three classes" or "five six classes" to perform together, and draw nutrition, extract the essence, enriched and developed the tune of Donglu Bangzi. At the same time, it also affects other kinds of opera in Shandong area. This paper mainly uses the methods of music history, music communication, ethnomusicology and music analysis to study the origin and characteristics of Donglu Bangzi. The main content of this paper is divided into five parts: first, the origin of the topic and its research significance, including the current research status of Donglu Bangzi, the purpose and significance of this paper and the author's previous research on the basis of the breakthrough. Secondly, the author analyzes the origin and development of Donglu Bangzi by using the methods of music history and music communication. Thirdly, in the aspect of music Noumenon, the author uses the method of music analysis to supplement and break through Donglu Bangzi's board style, vocal cavity, structure system, singing method, band and so on. The title, classification, synonym and synonym of the plate are analyzed. In the aspect of vocal cavity, the characteristics of the whole tune of Donglu Bangzi, the characteristic of Bangzi in the cavity, the characteristics of other pieces and the relationship between the tune and the words are studied. In terms of structural system, this paper probes into the whole structure system of Donglu Bangzi and the segmental structure system (the characteristics of phonetic form, the falling board of the cavity and the accompaniment passing through the door). In the aspect of singing, the characteristics of vocalization and runing of Donglu Bangzi are studied. At the same time, the relationship between it and local traditional music (folk song, song and dance, rap, other drama music, religious music) is studied preliminarily. Fifth, the conclusion, the origin of Donglu Bangzi, music characteristics and other aspects made a brief summary.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J825

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本文編號(hào)：2429728