【摘要】：郵票作為郵資付費(fèi)的手段,它的存在是伴隨著近代中國郵政而產(chǎn)生的。從大龍郵票發(fā)行至今,經(jīng)歷了130多年的歷史。本文以新中國30套戲曲郵票為研究對象,在概述中國郵票發(fā)展史的基礎(chǔ)上,按照郵票所反映的戲曲內(nèi)容,劃分了5個部分：京劇郵票、文革期間的文藝類郵票、昆曲郵票、戲劇作家與戲曲作品郵票以及各種其他表現(xiàn)戲曲的郵票。京劇郵票,按照生旦凈丑郵票的發(fā)行順序,從郵票的圖案反映的內(nèi)容,結(jié)合所體現(xiàn)的劇目、服飾、化妝,在京劇影像資料的觀看下,分析藝術(shù)家在舞臺上的表演技藝,評價郵票發(fā)行的意義。文革期間發(fā)行了八大樣板戲、《兄妹開荒》、《白毛女》、《紅色娘子軍》的郵票,該章從郵票體現(xiàn)的內(nèi)容,總結(jié)了文革時期戲曲藝術(shù)的特點(diǎn),間接的反映了現(xiàn)代戲與傳統(tǒng)戲曲的區(qū)別；同時也客觀的評價了樣板戲,否定了它的政治功能,肯定它對現(xiàn)代戲發(fā)展起的積極作用。昆曲郵票以《浣紗記》、《牡丹亭》以及《長生殿》為代表,從郵票上反映的舞臺形象,探究昆曲代表作的思想價值,直觀形象的體現(xiàn)了昆曲的地位以及劇作家創(chuàng)作的園林“情結(jié)”。郵票上關(guān)注的劇作家是關(guān)漢卿和郭沫若,從郵票反映的內(nèi)容,結(jié)合二人的創(chuàng)作風(fēng)格,進(jìn)而探究郵票的文學(xué)價值；經(jīng)典戲劇作品《西廂記》和《牡丹亭》的出現(xiàn),圖文并茂生動形象的還原完整故事情節(jié),從而體現(xiàn)打破封建傳統(tǒng),追求自由愛情的主題思想。皮影人物、戲曲電影、戲曲年畫、戲曲人物剪紙、藝術(shù)節(jié)等方面反映戲曲,不僅介紹了郵票的內(nèi)容,同時也反映了藝術(shù)互通性和文化傳播多樣性的特點(diǎn)。以上內(nèi)容從不同層次、不同角度分析和評價了郵票發(fā)行的意義、藝術(shù)價值、主題思想以及文化內(nèi)涵。學(xué)術(shù)界對戲曲關(guān)注的程度很高,但是將郵票與戲曲結(jié)合的探究是極少的,只是零星的出現(xiàn)在“集郵”的相關(guān)雜志上,本文彌補(bǔ)了戲曲單一研究和郵票單一研究的不足,為研究戲曲文化提供新的角度和新的研究思路。同時,探究戲曲郵票,體現(xiàn)了傳承文化的意義。以郵票為載體,宣傳了戲曲藝術(shù)的魅力,是迎合與時俱進(jìn)的時代要求,有利于弘揚(yáng)傳統(tǒng)文化,對戲曲的普及和教育起有益作用,也為研究和保護(hù)傳統(tǒng)戲曲文化提供便利。對于集郵愛好者而言,提供了豐富的戲曲郵識,提高了的審美趣味。但是不能過分的夸大郵票的功能,戲曲郵票只是眾多郵票中的一種,以它為角度探討戲曲藝術(shù)是微弱的,無法真正還原戲曲藝術(shù)的博大精深。
[Abstract]:Postage stamps as a means of payment, its existence is accompanied by modern China Post. Since the issue of Dalong stamps, it has experienced more than 130 years of history. This paper takes 30 sets of Chinese opera stamps as the research object, on the basis of summarizing the history of the development of Chinese stamps and according to the opera content reflected by the stamps, this paper divides five parts: Beijing Opera stamps, literature and art stamps during the Cultural Revolution, Kunqu Opera stamps, etc. Stamps for Drama Writers and Drama works, as well as various other stamps for opera. Beijing Opera stamps, according to the issuing order of the clean and ugly stamps, from the content reflected by the stamp patterns, combined with the repertoire, costumes, makeup, and the viewing of the image materials of Beijing Opera, to analyze the performing skills of the artists on the stage. To evaluate the significance of stamp issue. During the Cultural Revolution, eight model operas were issued, "Brothers and sisters opened up wasteland", "White hair Girl" and "Red Lady Army", which summarized the characteristics of opera art during the Cultural Revolution from the content embodied in the stamps. Indirectly reflects the difference between modern drama and traditional opera; At the same time, it objectively evaluates the model opera, negates its political function, and affirms its positive role in the development of modern drama. The Kunqu stamps are represented by Wun Sha Ji, Peony Pavilion and Changsheng Hall. The stage image of Kunqu Opera is reflected on the stamps, and the ideological value of Kunqu Opera representative works is explored. Intuitionistic image reflects the status of Kunqu Opera and the garden complex created by playwrights. The dramatists concerned on the stamps are Guan Hanqing and Guo Moruo. From the content of the stamps and the style of their creation, the literary value of the stamps is explored. The appearance of the classic drama works "the West Chamber" and "the Peony Pavilion" restores the complete story plot vividly and vividly, thus reflecting the theme thought of breaking the feudal tradition and pursuing the free love. Shadow figures, opera films, Chinese New year paintings, paper-cut opera characters, art festival and other aspects reflect the opera, not only introduced the content of stamps, but also reflected the characteristics of art interoperability and cultural diversity. The above contents analyze and evaluate the significance, artistic value, theme and cultural connotation of stamp issuing from different levels and different angles. The academic circles pay high attention to the drama, but the research of combining stamps with opera is rare, and it appears in the relevant magazine of "stamp collecting" sporadically. This paper makes up for the deficiency of the single research of opera and the single study of stamps. For the study of opera culture to provide a new perspective and new research ideas. At the same time, explore the drama stamps, reflect the significance of cultural heritage. With stamps as the carrier, the charm of opera art is propagandized, which caters to the requirement of keeping pace with the times, helps to carry forward the traditional culture, plays a beneficial role in popularizing and educating the opera, and also provides convenience for the research and protection of the traditional opera culture. For philatelic enthusiasts, it provides a rich knowledge of opera stamps, and improves the aesthetic taste. But can not exaggerate the function of stamps, drama stamps are just one of the many stamps, it is weak to explore the art of opera from its perspective, can not really restore the broad and profound opera art.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：G891.3;J809.2

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