發(fā)布時(shí)間：2018-10-25 17:16

【摘要】：話劇自傳入中國,便處處與趕時(shí)髦、務(wù)新的海派文化合拍,彰顯出了開風(fēng)氣之先的海派品格。而海派文化不斷地精進(jìn)向上、推陳出新,不僅是為了適應(yīng)復(fù)雜的商業(yè)環(huán)境及多變的觀眾需求,更是海派善于吸納新生事物、學(xué)習(xí)先進(jìn)文化的結(jié)果,并由此形構(gòu)了繁華都會(huì)里的大眾流行文化。
[Abstract]:Since the drama was introduced into China, it has always been in line with the fashion and the new Shanghai school culture, which shows the character of the Shanghai school before the trend of opening up. And the Shanghai school culture is constantly advancing up and innovating, not only in order to adapt to the complex business environment and the changing needs of the audience, but also because the Shanghai school is good at absorbing new things and learning the advanced culture. And thus form a prosperous city in the popular culture.
【作者單位】： 鄭州師范學(xué)院傳播學(xué)院;
【基金】：第55批中國博士后基金資助項(xiàng)目“海派文學(xué)史視閾下的海派話劇”(批準(zhǔn)號(hào):2014M551357) 河南省哲學(xué)社會(huì)科學(xué)規(guī)劃項(xiàng)目“1940年代上海話劇的‘趨俗化’研究”(批準(zhǔn)號(hào):2015BWX007)階段性成果
【分類號(hào)】：J824
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本文編號(hào)：2294300