【摘要】：西安易俗社作為陜西地方知識分子主導(dǎo)的秦腔改良劇社,自建社伊始陜西軍政界便"集體性"地參與其中。民國時期陜西復(fù)雜多變的時事格局,使得易俗社的管理群體必須"學(xué)會"與陜西軍政界"處理好"關(guān)系,方能在當(dāng)時的時事境遇下避免"地痞流氓"等社外因素的侵?jǐn)_,劇社經(jīng)營才能得以順利進(jìn)行。與此同時,易俗社"文化領(lǐng)導(dǎo)權(quán)"的"占有",且劇社全面參與了陜西軍政界主導(dǎo)的意識形態(tài)宣揚,加之劇社秦腔藝術(shù)生產(chǎn)和藝術(shù)審美表現(xiàn)所凸顯的啟蒙精神和革新意識,以及"掌門人"的知識分子身份表征,使得陜西軍政界對劇社及其管理者分外"垂青",呈現(xiàn)為多維復(fù)雜的關(guān)系模態(tài)。
[Abstract]:Xi'an Folk Society, as the Qin Opera Society dominated by local intellectuals in Shaanxi Province, participated in it from the beginning of its establishment in a "collective way" in Shaanxi military and political circles. The complicated and changeable current affairs pattern in Shaanxi during the period of the Republic of China made the management group of the Yi common society have to "learn" to "handle" the relationship with the Shaanxi military and political circles, so as to avoid the invasion of "local ruffian" and other factors outside the society under the current situation at that time. The management of the drama club can go smoothly. At the same time, the "possession" of the "cultural leadership" of the popular society, and the drama society's full participation in the propaganda of the ideology dominated by the Shaanxi military political circles, coupled with the enlightenment spirit and innovative consciousness highlighted by the Qin opera society's artistic production and artistic aesthetic performance, As well as the intellectual identity of the "head man", Shaanxi military and political circles are particularly keen on the drama society and its managers, showing a multi-dimensional and complex relationship mode.
【作者單位】： 西北大學(xué)文學(xué)院;陜西省藝術(shù)研究所;
【基金】：2016年度國家社科基金藝術(shù)學(xué)青年項目:“秦腔的現(xiàn)代性與‘本土化’:民國時期西安易俗社研究(1912-1949)”批準(zhǔn)號:16CB146 2015年陜西省社科課題:《秦腔的現(xiàn)代性確立——民國時期西安易俗社研究(1912-1949)》(立項號2015J067)
【分類號】：K258;J809.2
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本文編號：2292811