【摘要】：在1928年創(chuàng)造社轉(zhuǎn)變方向前后,鄭伯奇創(chuàng)作了多部反帝愛(ài)國(guó)劇作,這些戲劇作品因其所表現(xiàn)的革命情緒而受到研究者的矚目。留學(xué)日本時(shí)期屈辱的感性經(jīng)驗(yàn)和撰寫(xiě)駐日特約通訊的清醒、理性的分析是鄭伯奇反帝思想形成的關(guān)鍵。大革命時(shí)期在廣州參加實(shí)際革命工作的經(jīng)歷,使鄭伯奇意識(shí)到演劇和革命的重大關(guān)系。因此,鄭伯奇不僅從理論上提倡反帝戲劇,而且率先創(chuàng)作出多部表現(xiàn)民眾反帝激情的話劇。
[Abstract]:Before and after the change of direction in 1928, Zheng Boqi wrote a number of anti-imperialist patriotic dramas, which attracted the attention of researchers for their revolutionary feelings. The emotional experience of humiliation in studying in Japan and the sober and rational analysis of writing special correspondence in Japan are the key to the formation of Zheng Boqi's anti-imperialist thought. The experience of participating in actual revolutionary work in Guangzhou during the Great Revolution made Zheng Boqi realize the important relationship between drama and revolution. Therefore, Zheng Boqi not only advocated anti-imperialist drama in theory, but also created many dramas to express anti-imperialist passion.
【作者單位】： 陜西渭南師范學(xué)院人文與社會(huì)發(fā)展學(xué)院;
【分類號(hào)】：J809.2;I207.3
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本文編號(hào)：2191233