【摘要】：奉賢山歌劇是由流行于上海奉賢地區(qū)的民間山歌發(fā)展演變而成的上海本地劇種,自20世紀(jì)50年代誕生至今不到一百年的時(shí)間里,隨著社會歷史時(shí)代的變遷歷經(jīng)三起兩落,1984年奉賢山歌劇團(tuán)改建滬劇團(tuán)后,這一被稱為上海“獨(dú)養(yǎng)囡”的地方小戲沉寂了近20年。2007年5月奉賢山歌劇被申請批準(zhǔn)為上海市非物質(zhì)文化遺產(chǎn)項(xiàng)目后重新走入了人們的視野。本課題考察內(nèi)容主要涉及奉賢山歌劇音樂本體,保護(hù)現(xiàn)狀,當(dāng)?shù)卣畬τ诜钯t山歌劇的申報(bào)與審批,傳承人,傳承方式,當(dāng)前傳承保護(hù)過程中新創(chuàng)作的曲目,樂種的活動區(qū)域,以及當(dāng)?shù)厝罕娖占罢J(rèn)可程度調(diào)查分析。 本文以奉賢山歌劇的傳承現(xiàn)狀作為研究基礎(chǔ),結(jié)合音樂文本分析,被采訪人口述史和文獻(xiàn)記載歷史的整理資料,試圖以當(dāng)下政府運(yùn)作展演中樂種音樂辨識特征缺失為線索,探討奉賢山歌劇歷史場域中國家在場,音樂遺產(chǎn)中的政府運(yùn)作,以及傳統(tǒng)音樂的辨識特征置于政府保護(hù)傳承的問題,以期為音樂人類學(xué)視野中音樂與政府政治及音樂類非遺研究提供一個(gè)詳實(shí)的個(gè)案研究。
[Abstract]:Fengxian opera is a kind of local opera developed from folk songs popular in Fengxian area of Shanghai. It has been less than 100 years since it was born in the 1950s. With the vicissitudes of the social and historical times, after three ups and two falls, in 1984, after the Fengxian Folk Opera Troupe was transformed into the Shanghai Opera Company, The local opera, known as Shanghai's "only child", has been silent for nearly 20 years. In May 2007, Fengxian Mountain Opera was approved as the Shanghai Intangible Cultural Heritage Project and re-entered people's view. The main contents of this subject are related to the music Noumenon of Fengxian Mountain Opera, the current situation of protection, the application and approval of the local government for Fengxian Mountain Opera, the inheriting person, the way of inheritance, the newly created repertoire and the activity area of music species in the current process of heritage protection. As well as the local popularizing approval degree investigation and analysis. Based on the research of the present situation of Fengxian mountain opera, combined with the analysis of music text, this paper tries to take the lack of musical identification characteristics in the present government operation and performance as the clue to the interviewee's oral history and documentary records. This paper probes into the presence of countries in the historical field of Fengxian Mountain Opera, the operation of the government in the musical heritage, and the problem that the identification of traditional music is put under the protection and inheritance of the government. In order to provide a detailed case study of music and government politics and music in the field of musical anthropology.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J825;J617.2

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本文編號：2130598