【摘要】：清末西潮東漸的文化趨勢令王國維得以另辟視野,從而構建起戲曲史大廈。王國維的結論建立在充分史料支撐和有一說一的基礎之上,因而盡管百年來的學術實踐不斷豐富完善了王國維體系,但也一再證實了其科學性。對王國維繹述的曲牌體音樂結構經過大曲聯(lián)章體和纏令纏達、諸宮調、唱賺聯(lián)套體的多重作用,最終形成南北曲套的結論,今人有不同看法,強調唱賺音樂直接轉化作了南戲和北雜劇的音樂結構。本文經過詳細的材料分析與考辨,否認這種結論具有科學性。
[Abstract]:The cultural trend of west tide and east tide in the late Qing Dynasty enabled Wang Guowei to set up the opera history building. The conclusion of Wang Guowei is based on sufficient historical data and one theory and one. Therefore, although the academic practice in the past hundred years has enriched and perfected the Wang Guowei system, it has been proved to be scientific again and again. There are different views on the musical structure of the Qimai style interpreted by Wang Guowei, which is formed by the multiple roles of the music structure of the Qimai style of the Daqu and the tangled order, the multiple functions of the various genitals and the singing and earning of the ensemble body, and finally the conclusion that the northern and southern qu sets have been formed. It emphasizes the direct transformation of singing and earning music into the musical structure of the Southern Opera and the Northern Zaju. After detailed material analysis and research, this paper denies that this conclusion is scientific.
【作者單位】： 中國作家協(xié)會;
【分類號】：J809.2
，

本文編號：2120363