本文選題：《來生來世把你愛》 + 《運河謠》　； 參考：《西安音樂學(xué)院》2017年碩士論文

【摘要】：歌劇《運河謠》是中國首部原創(chuàng)民族歌劇,由黃維若、董妮編劇,印青作曲。歌劇講述了明朝萬歷年間,在京杭大運河上俊俏藝人水紅蓮、文弱書生秦嘯生和慘苦盲女關(guān)硯硯之間發(fā)生一段蕩氣回腸、如歌如泣的故事,無論是背景題材、旋律進行、角色塑造、舞臺布置還是唱腔風(fēng)格等都具有十分典型的民族性,對我國民族歌劇的發(fā)展及民族唱法的發(fā)揚光大都具有十分重大的意義。女主人公水紅蓮是一個俊俏潑辣、敢愛敢恨、不畏強暴、為正義不惜犧牲自己性命的滿滿正能量的角色形象。本文通過對歌劇創(chuàng)作的背景、初衷、對女主角人物性格、形象及所影射的當(dāng)時社會現(xiàn)狀的分析著手,從而為研究歌劇唱段《來生來世把你愛》服務(wù),重點是結(jié)合自身實際演唱經(jīng)驗對此詠嘆調(diào)的處理手法(咬字、唱腔、層次對比、強弱對比、語氣、潤腔技巧及情感表達等)的探究。
[Abstract]:The opera "canal ballad" is the first original national opera in China. The opera is composed of Huang Weiruo, Dong Ni, and the composer. The opera tells the story of the Ming Dynasty in the Wanli period of the Ming Dynasty, in the Grande Canale, the handsome artist Shui Honglian, the weak scholar Qin Xiaosheng and the bitter blind girl Guan Yan Yan. The role molding, the stage arrangement or the style of singing have a very typical national character. It is of great significance to the development of national opera and the development of national singing. The heroine is a handsome and pungent, dare to love and hate, do not fear violence and sacrifice his own life for justice. Through the analysis of the background of the creation of the opera, the original intention, the analysis of the character of the heroine, the image and the status quo of the society at that time, the purpose of the study is to serve you for the study of the coming life of the opera, with the emphasis on the handling of the aria, the singing, the level contrast, and the strength and weakness. Compare, tone, cavity skills and emotional expression, etc.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.2

【參考文獻】

相關(guān)期刊論文 前1條

1 楊彥菊;;淺談聲樂演唱中美聲唱法與民族唱法的融會貫通[J];民族音樂;2014年01期

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本文編號：2077638