發(fā)布時(shí)間：2018-06-22 09:32

  本文選題：傷逝 + 文學(xué)特征　； 參考：《西南交通大學(xué)》2010年碩士論文

【摘要】： 歌劇對(duì)于我國(guó)來(lái)說(shuō)是一種既古老又年輕的藝術(shù)。說(shuō)古老,是因?yàn)樵缭谒?元時(shí)期出現(xiàn)的戲劇形式就是中國(guó)歌劇藝術(shù)的雛形,被西方稱之為"china opera",說(shuō)其年輕,是因?yàn)橹袊?guó)歌劇藝術(shù)起步較晚。諸多歷史特征都明顯地體現(xiàn)出了歌劇在中國(guó)本土化成長(zhǎng)階段中的創(chuàng)作能力、接受能力的發(fā)展?fàn)顩r。歌劇《傷逝》是為紀(jì)念魯迅先生誕辰100周年而作,是施光南的第一部歌劇,也是作者在歌劇領(lǐng)域里的一次成功的探索。它在音樂(lè)結(jié)構(gòu),人物設(shè)置,心理描繪,交響性效果以及聲樂(lè)藝術(shù)表現(xiàn)等方面均有創(chuàng)新意義。 本文作者在第一章主要闡述了中國(guó)歌劇的發(fā)展,時(shí)間是從中國(guó)20世紀(jì)20,30年代到新時(shí)期,之中列舉了每個(gè)時(shí)期的歌劇作品,對(duì)其作品當(dāng)時(shí)的背景和本身藝術(shù)特色進(jìn)行了研究,說(shuō)明了新的藝術(shù)形式的出現(xiàn)是有其歷史和自身的原因的。第二章主要論述了歌劇《傷逝》的文學(xué)特征,音樂(lè)特征和表演特征�！秱拧愤@部歌劇是在新時(shí)期下創(chuàng)作出來(lái)的,他的身上有著中國(guó)歌劇一步步走來(lái)的影子,也有著新時(shí)期的新鮮血液,怎樣讓我們中國(guó)自己的歌劇走上世界之林,這是個(gè)引人深思的問(wèn)題。本章對(duì)《傷逝》這部歌劇從不同角度進(jìn)行剖析,管中窺豹的對(duì)這個(gè)令人深思的問(wèn)題進(jìn)行思考。第三章是對(duì)我國(guó)歌劇發(fā)展的思考,從觀眾的角度上來(lái)尋找歌劇的出路。
[Abstract]:Opera is an old and young art for our country. The reason for saying ancient is that the form of drama appeared in Song Dynasty and Yuan Dynasty is the embryonic form of Chinese opera art, which is called "china opera" by the West, because the Chinese opera art started relatively late. Many historical features clearly reflect the development of opera's creative and receptive ability in the growing stage of Chinese localization. Opera "death of injury" was written to commemorate the 100th anniversary of Mr. Lu Xun's birth. It is Shi Guangnan's first opera and a successful exploration in the field of opera. It has innovative significance in music structure, character setting, psychological description, symphonic effect and artistic expression of vocal music. In the first chapter, the author mainly expounds the development of Chinese opera, from the 20th century to the 1930s to the new period, enumerates the opera works of each period, and studies the background and the artistic characteristics of the works at that time. It shows that the emergence of new art forms has its history and its own reasons. The second chapter mainly discusses the literary, musical and performance features of the opera "death of injury". This opera was created in the new period, and his body has the shadow of Chinese opera step by step. There is also a new era of fresh blood, how to let our own opera into the world, this is a thought-provoking question. This chapter dissects the opera from different angles and reflects on this thought-provoking question. The third chapter is about the development of opera in China, from the point of view of the audience to find the outlet of opera.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J822

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本文編號(hào)：2052391