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幕表戲“賦子”的語言藝術(shù)及對當代劇作家的啟示

發(fā)布時間:2018-06-21 20:23

  本文選題:幕表戲 + 賦子; 參考:《戲曲藝術(shù)》2017年03期


【摘要】:幕表戲的賦子有以下四個特點:追求好記易傳;喜用平行句式;善用"比興"手法;賦排夸飾的描寫手法。賦子的語言藝術(shù)對當今戲曲劇本創(chuàng)作有重要的啟示意義,學(xué)習(xí)它的手法可以使劇本的語言更具舞臺性,適合劇種的特點,是提高戲曲唱詞傳唱率的有效手段。
[Abstract]:The Fu Zi of the screen play has the following four characteristics: pursuing the Yi Zhuan of good Records; using parallel sentence style; making good use of "Bi Xing" technique; and describing Fu Pai bragging. Fu Zi's language art has important enlightenment significance to the drama script creation nowadays, the study method can make the script language more stage, suits the drama characteristic, is the effective means to improve the opera singing rate.
【作者單位】: 鄭州輕工業(yè)學(xué)院藝術(shù)設(shè)計學(xué)院;
【分類號】:I207.3;J825
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本文編號:2049896

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