本文選題：歌劇重唱 + 戲劇性　； 參考：《曲阜師范大學(xué)》2011年碩士論文

【摘要】：重唱,是指將兩個(gè)或兩個(gè)以上由單個(gè)人聲發(fā)出的歌唱旋律按照多聲思維的法則疊置起來(lái)并加以發(fā)展的一種聲樂體裁。在歌劇這一領(lǐng)域中,歌劇重唱由于自身所具備的戲劇性和沖突性,在歌劇深層主題的呈現(xiàn)中起到了異乎尋常的重要作用。隨著歌劇重唱不斷的發(fā)展變化,歌劇重唱對(duì)于歌劇戲劇性的重要作用越來(lái)越受到歌劇作曲家以及廣大音樂愛好者的重視。在數(shù)量眾多的歌劇作品所組成的燦爛星河中,有兩位歌劇作曲家的作品令我們贊嘆不已。那就是莫扎特和威爾第的歌劇。他們創(chuàng)作的歌劇經(jīng)久不衰,以莫扎特的歌劇《費(fèi)加羅的婚禮》和威爾第的歌劇《弄臣》為例,這兩部作品都以其優(yōu)美的旋律和引人入勝的情節(jié)聞名于世。莫扎特對(duì)重唱在歌劇中的重要地位的認(rèn)識(shí)源自《費(fèi)加羅的婚禮》這部歌劇的成功。在這部歌劇中除了三個(gè)終場(chǎng)時(shí)規(guī)模宏大的重唱外還有另外九首重唱,這在莫扎特之前的音樂史上是不可想象的。如果說(shuō)歌劇重唱在莫扎特的筆下得以重生并被人們注視,那么使歌劇重唱達(dá)到巔峰的就是威爾第了�！杜肌分械母鑴≈爻粌H吸收了莫扎特重唱?jiǎng)?chuàng)作的優(yōu)秀傳統(tǒng),并且充分展示了自己獨(dú)特的風(fēng)格,保持了意大利歌劇的本色。在這里音樂與戲劇驚人的和諧,歌劇的戲劇性得到了充分的展現(xiàn)。 這兩部歌劇至今仍在世界各地的各大歌劇院頻頻上演,觀眾對(duì)它們的癡迷程度可見一斑。這其中,歌劇重唱在表現(xiàn)歌劇戲劇性方面功不可沒。本文將以《費(fèi)加羅的婚禮》中第二場(chǎng)第十三分曲《小心點(diǎn)》和《弄臣》中第三場(chǎng)中的一首四重唱《自從我那天見到你》為例,通過對(duì)這兩首作品的具體分析來(lái)梳理自莫扎特至威爾第時(shí)期歌劇重唱中音樂戲劇性的發(fā)展情況。以求使我們對(duì)歌劇重唱的重要性有一個(gè)更為全面和深入的了解,同時(shí)希望能夠?yàn)閺V大音樂愛好者在欣賞或演唱這兩位作曲家的歌劇作品時(shí)提供參照。 文章分為五個(gè)部分 引言解釋本論文的選題意義以及研究重點(diǎn)和研究方法 第一章簡(jiǎn)要介紹歌劇重唱的發(fā)展軌跡和重唱的分類 第二章簡(jiǎn)明的介紹歌劇作曲家莫扎特及威爾第的生平 第三章具體分析《費(fèi)加羅的婚禮》中的三重唱《小心點(diǎn)》和《弄臣》中的四重唱《自從我那天見到你》 第四章總結(jié)自莫扎特至威爾第歌劇重唱中音樂戲劇性的發(fā)展變化
[Abstract]:Duet refers to a vocal genre that overlay and develop two or more singing melodies issued by a single voice according to the rules of multi-tone thinking. In the field of opera, opera duet plays an unusually important role in the presentation of the deep theme of opera because of its own drama and conflict. With the continuous development and change of opera choir, the importance of opera duet to opera drama has been paid more and more attention by opera composers and music lovers. Among the splendid stars of the numerous operas, we are amazed by the works of two opera composers. That's Mozart and Verdi's operas. For example, Mozart's opera, the Wedding of Figaro, and Verdi's opera, Jeti, are both famous for their beautiful melody and fascinating plot. Mozart's understanding of the importance of duet in opera stems from the success of Figaro's wedding. In addition to the three grand finale recitals, nine others were unthinkable in Mozart's music history. If the opera chorus was reborn and watched by Mozart, it was Verdi who brought it to its peak. The opera chorus in the Jetsons not only absorbed the fine tradition of Mozart's composition, And full display of their own unique style, the Italian opera to maintain the true character. Here music and drama are amazingly harmonious, opera drama has been fully displayed. The two operas are still being performed in major opera houses around the world, and the audience's obsession with them is evident. Among them, opera duet plays an important role in opera drama. This article will take for example Figaro's Wedding, the 13th Division in scene 2, careful, and one of the quartets in the third scene of Jester, "since I saw you that day." Through the concrete analysis of these two works, this paper combs the dramatic development of music from Mozart to Verdi. In order to make us have a more comprehensive and in-depth understanding of the importance of opera recital, we hope to provide a reference for the majority of music lovers to appreciate or sing the opera works of these two composers. This paper is divided into five parts to explain the significance of the topic, research focus and research methods. The first chapter briefly introduces the development track of opera duet and its classification Chapter two A brief introduction to the Life of Opera composer Mozart and Verdi Chapter three analyses the Trio in Figaro's Wedding < careful Point > and the Trio in 'Rijette' s <) > "since I saw you that day." Chapter 4 summarizes the dramatic developments in music from Mozart to Verdi opera recital
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J832

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 劉思佳;歌劇《阿依達(dá)》中兩位“公主”的音樂形象塑造[D];哈爾濱師范大學(xué);2012年

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本文編號(hào)：2048978