本文選題：林淳 + 花城出版社　； 參考：《中國(guó)戲劇》2017年02期

【摘要】：正潮劇是廣東僅次于粵劇的大劇種,流傳于粵東、閩南及東南亞一帶。其歷史悠久,唱腔清婉,幾百年來(lái)卻沒(méi)有屬于自己的史學(xué)著作�！冻眲∈贰返拿媸�,宣告了潮劇未立史時(shí)代的結(jié)束�！冻眲∈贰�(花城出版社出版)"以年代為經(jīng),史事為緯",把潮劇置于中國(guó)戲曲的大背景下來(lái)考察,存史,存戲,存人。上編論述潮劇從明代產(chǎn)生到新中國(guó)成立前的歷史,包括潮劇之誕生及源流"第五聲腔"、明代的七種戲文、劇本的來(lái)龍去脈,從明朝到清朝的舞臺(tái)、演出
[Abstract]:Normalizing drama is the second most popular opera in Guangdong, which is spread in eastern Guangdong, southern Fujian and Southeast Asia. It has a long history and a clear voice, but for hundreds of years there has been no historical works of its own. The publication of the History of Chaozhou Drama declares the end of the era of unwritten history of Chao Opera. The History of Chaozhou Drama (published by Huacheng Publishing House) takes the time as the sutras. "the history is the weft", put the tide drama under the Chinese opera background to investigate, save the history, save the opera, save the person. The first part discusses the history of Chao Opera from the Ming Dynasty to the founding of New China, including the birth and origin of the Chao Opera "the Fifth Voice", the seven kinds of drama texts of the Ming Dynasty, the history of the script, the stage from the Ming Dynasty to the Qing Dynasty, and the performance.
【分類號(hào)】：J825-5
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本文編號(hào)：2035121