發(fā)布時(shí)間：2018-06-07 22:49

  本文選題：《福根斯與魯克麗絲》 + 間插劇��； 參考：《外國(guó)文學(xué)評(píng)論》2017年04期

【摘要】：十五世紀(jì)九十年代某個(gè)圣誕節(jié)期間上演的間插劇《福根斯與魯克麗絲》以中世紀(jì)傳統(tǒng)話題"何為高貴"為主題,引導(dǎo)和教育觀眾席中的眾多達(dá)官顯貴在新的時(shí)代背景下重新認(rèn)識(shí)"高貴"的本質(zhì)。作為一部早期世俗戲劇,該劇藝術(shù)地再現(xiàn)了英格蘭都鐸王朝早期逐漸興起的"新權(quán)貴"與"舊貴族"在亨利七世新政權(quán)制度下的政治博弈。劇作者站在"新權(quán)貴"的立場(chǎng)上,積極回應(yīng)和宣揚(yáng)了亨利七世的政治策略,開啟了戲劇參政的新氣象。
[Abstract]:The interlude between Fogens and Luceris, which was staged at Christmas in the 1990s and 1990s, focused on the traditional medieval topic, "what is nobility?" To guide and educate the many dignitaries in the audience to reunderstand the essence of nobility in the new era. As an early secular drama, the play artistically reproduces the political game between the early Tudor dynasty and the old aristocrat under the Henry VII new regime. From the standpoint of "the New powerful and powerful", the playwright responded positively to Henry VII's political strategy and opened up a new atmosphere for drama to participate in politics.
【作者單位】： 浙江師范大學(xué)人文學(xué)院;
【基金】：國(guó)家社科基金項(xiàng)目“莎士比亞之前的英國(guó)都鐸戲劇轉(zhuǎn)型發(fā)展研究(1485-1590)”(17BWW007)的階段性成果
【分類號(hào)】：I561.073;J805

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1 鄭如霖;;試論都鐸王朝奠基人——亨利七世的歷史地位[J];廣西師范大學(xué)學(xué)報(bào);1985年02期

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本文編號(hào)：1993132