本文選題：案目 + 戲園　； 參考：《戲曲藝術(shù)》2015年04期

【摘要】：案目制是晚清時(shí)期伴隨著茶園演劇產(chǎn)生的一種經(jīng)營(yíng)管理制度,它在戲園演劇時(shí)期承擔(dān)了賣票和招呼觀眾的重要職能,并在戲園發(fā)展中發(fā)揮了重要作用。近代西式劇場(chǎng)建立后,劇場(chǎng)仍然演用案目制,但因?yàn)榘改恐浦贫缺旧淼谋锥撕桶改總�(gè)人素質(zhì)的局限,曾在戲園演劇時(shí)期導(dǎo)引入座的案目逐漸轉(zhuǎn)成了欺客霸座的劇場(chǎng)寄生蟲,在輿論和劇場(chǎng)改革的推動(dòng)下,到1937年前后,案目制終于被以對(duì)號(hào)入座的現(xiàn)代票務(wù)制取代。
[Abstract]:As a kind of management system in the late Qing Dynasty, it played an important role in selling tickets and greeting the audience, and played an important role in the development of the opera garden. After the establishment of modern Western-style theatres, the theater still used the system of project items. However, due to the defects of the system itself and the limitation of its personal qualities, the project items which had been guided into the seats during the period of the opera theater were gradually turned into the parasites of deceiving the guests and dominating the seats. Driven by public opinion and theater reform, by 1937 or so, the bill system was replaced by the modern ticketing system.
【作者單位】： 南京大學(xué)文學(xué)院;浙江傳媒學(xué)院戲劇影視研究院;
【分類號(hào)】：J809.2

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