本文選題：豫劇 + 蘭州　； 參考：《蘭州大學(xué)》2012年碩士論文

【摘要】：本文以甘肅蘭州的多元文化為背景,以豫劇傳入甘肅為對象,研究了豫劇在蘭州的生存及發(fā)展現(xiàn)狀。全文包括緒論和結(jié)論一共七個章節(jié)。緒論主要提出了該論文研究的緣起,已有的研究成果,研究意義,研究方法與材料來源,研究優(yōu)勢及限制。第一章主要介紹了豫劇的起源、興起及發(fā)展現(xiàn)狀；第二章簡述了蘭州獨(dú)特的地理位置及多民族的人口特征,概述了多元文化背景的移民文化；第三章則陳述了豫劇傳入蘭州及在蘭州的發(fā)展時期。第四章重點(diǎn)陳述豫劇在蘭州的現(xiàn)狀。主要通過蘭州市豫劇團(tuán)規(guī)模、演員情況及演出劇目、獲獎情況和蘭州戲曲劇院豫劇團(tuán)的對比,來表現(xiàn)出豫劇在蘭州后繼無人的現(xiàn)實(shí)狀況。第五章主要通過蘭州主要的豫劇演員的人物訪談,來反映出豫劇在蘭州的發(fā)展期、輝煌期、及目前的衰落期。 通過全文的研究發(fā)現(xiàn),首先豫劇是外來劇種,一種外來藝術(shù)形式的文化,如果不與當(dāng)?shù)乇就廖幕嘟Y(jié)合,不反映當(dāng)?shù)厝说木耧L(fēng)貌,那么它的存在和發(fā)展必然是困難的。豫劇近年來在蘭州的衰落又和中國最近的市場體制改革有著密切關(guān)系。蘭州人對豫劇的認(rèn)可度減弱,有多種原因,最直接的是和整個戲曲在萎縮的現(xiàn)狀是分不開的,從豫劇在蘭州現(xiàn)狀的一個側(cè)面反映了蘭州多元文化變遷的現(xiàn)實(shí)。同時,也為豫劇在其他地方作為文化移入劇種的發(fā)展,提供歷史經(jīng)驗(yàn)的史料參考。
[Abstract]:This paper studies the survival and development of Henan Opera in Lanzhou with the background of its multiculturalism and the introduction of Henan Opera into Gansu Province. The full text includes the introduction and the conclusion altogether seven chapters. The introduction mainly puts forward the origin of the research, the existing research results, research significance, research methods and sources of materials, research advantages and limitations. The first chapter mainly introduces the origin, rise and development of Henan Opera, the second chapter briefly describes Lanzhou's unique geographical location and multi-ethnic population characteristics, outlines the multicultural background of immigrant culture; The third chapter describes the period of Henan Opera's introduction into Lanzhou and its development in Lanzhou. Chapter four focuses on the present situation of Henan Opera in Lanzhou. Through the comparison of the scale of Lanzhou Henan Opera Troupe, the situation of actors and performances, the award-winning situation and the Henan Opera Company of Lanzhou Opera Theatre, it shows the reality of Henan Opera in Lanzhou. The fifth chapter mainly through the Lanzhou main Henan opera actor's personage interview, to reflect the Henan opera in Lanzhou's development period, the glorious period, and the present decline period. Through the research of the full text, it is found that, first of all, Henan opera is a kind of foreign drama, a kind of culture of foreign art form. If it is not combined with local culture and does not reflect the spiritual features of local people, then its existence and development is bound to be difficult. The decline of Henan Opera in Lanzhou in recent years is closely related to China's recent market system reform. There are many reasons why Lanzhou people's recognition of Henan opera has weakened, and the most direct reason is that it is inseparable from the shrinking situation of the whole opera, which reflects the reality of Lanzhou's multiculturalism change from one aspect of the present situation of Henan opera in Lanzhou. At the same time, it also provides historical reference for the development of Henan opera as a kind of culture in other places.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J825

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本文編號：1971126