本文選題：民國(guó) + 漢劇��； 參考：《湖北大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2016年02期

【摘要】：漢劇興起于清代,民國(guó)時(shí)達(dá)于繁盛。推動(dòng)漢劇繁榮的不僅是漢劇的藝人們,還有十分活躍的漢劇票友及其玩票活動(dòng)。玩票需要金錢與時(shí)間投入,故票友均有錢有閑。票友在玩票中同聲相求,自然形成自己的組織,即票社。漢劇票友在票社內(nèi)切磋技藝,在舞臺(tái)上自?shī)首詷?并且積極參加義演等社會(huì)活動(dòng),服務(wù)于社會(huì),弘揚(yáng)漢劇,從而構(gòu)成武漢近代市民生活的面相之一。
[Abstract]:Han opera rose in the Qing Dynasty and flourished in the Republic of China. It is not only the entertainers who promote the prosperity of the Han opera, but also the very active ticket friends and their play activities. Play ticket need money and time investment, so ticket friends have money have leisure. Ticket friends in the play in the same voice, naturally formed their own organization, that is, the voting agency. The ticket friends of the Han opera discussed their skills in the ticket club, amused themselves on the stage, and took an active part in the social activities, such as charity performances, to serve the society and carry forward the Han opera, thus constituting one of the faces of the modern life of the citizens of Wuhan.
【作者單位】： 湖北大學(xué)歷史文化學(xué)院;
【分類號(hào)】：J809.2
，

本文編號(hào)：1953264