本文選題：基督教 + 文化影響�。� 參考：《中國(guó)傳媒大學(xué)》2009年碩士論文

【摘要】： 本文從1907年至1945年間中國(guó)話劇入手,以基督教傳播對(duì)其影響為主要研究對(duì)象。擬從歷史分期、作家作品與影響表現(xiàn)這三個(gè)大的部分,試圖論證基督教傳播對(duì)于1907年至1945年的中國(guó)話劇所產(chǎn)生的文化影響。 在史實(shí)上,本文從“文明戲”、“人本主義思潮”、左翼戲劇運(yùn)動(dòng)等史實(shí)為例證,分析基督教在這些特定歷史階段對(duì)話劇的影響;在文本上,重點(diǎn)關(guān)注田漢、洪深與曹禺這三位劇作家,并就他們的代表作品進(jìn)行文本解讀與分析。厘清作品與基督教文化之間的意識(shí)形態(tài)聯(lián)系;在影響現(xiàn)象上,以左翼劇作家對(duì)基督教態(tài)度的轉(zhuǎn)變、教會(huì)話劇中的白話文現(xiàn)象與“教會(huì)廣播劇”等相關(guān)新生事物入手,談基督教傳播與中國(guó)話劇“互動(dòng)機(jī)制”的影響關(guān)系。 本文寫作手法上采取雙重視角——既關(guān)注作為文學(xué)本體的話劇,也關(guān)注作為基督教傳播工具的話劇,力圖本著尊重史實(shí)、史料的原則。立足戲劇美學(xué)原理與文學(xué)史史料,以中國(guó)文化、文學(xué)的現(xiàn)代性為出發(fā)點(diǎn),努力將對(duì)基督教傳播影響的研究上升到“西學(xué)東漸”的文化高度,試圖進(jìn)行綜合性的分析研究。其中注重文本解讀與史料考辯,在思想上側(cè)重于基督教悲憫觀念、救贖意識(shí)、原罪精神等思想特點(diǎn)與現(xiàn)代話劇之間的內(nèi)在關(guān)系研究,以及基督教傳播對(duì)中國(guó)話劇演劇體例、戲劇文學(xué)等“漸進(jìn)式”影響,從而力爭(zhēng)較為系統(tǒng)地梳理、歸納、總結(jié)基督教對(duì)于現(xiàn)代話劇的影響與意義。
[Abstract]:Starting from 1907 to 1945, this paper focuses on the influence of Christian communication on Chinese drama. This paper tries to demonstrate the cultural influence of Christian communication on Chinese drama from 1907 to 1945 from the three parts of historical division, writer's works and influence. In terms of historical facts, this paper analyzes the influence of Christianity on drama in these specific historical stages from the historical facts of "Civilization Drama", "Humanism ideological trend", and Left-wing dramatic Movement, and focuses on Tian Han in the text. Hong Shen and Cao Yu, the three playwrights, read and analyze their representative works. To clarify the ideological connection between the works and Christian culture, to start with the change of left-wing playwrights' attitude towards Christianity, the vernacular phenomenon in church drama and the "church radio drama", etc. On the influence of Christian Communication and the interaction Mechanism of Chinese Modern Drama. This article adopts a dual angle of view on writing techniques-both as the literary Noumenon of drama, but also as a means of Christian communication drama, in an attempt to respect historical facts, historical data principle. Based on the principles of drama aesthetics and the historical materials of literature, taking the modernity of Chinese culture and literature as the starting point, the author tries to raise the study of the influence of Christian communication to the cultural height of "Western learning to the east", and tries to carry out a comprehensive analysis and study. It pays attention to the interpretation of the text and the textual research on historical materials, and focuses on the study of the inner relationship between the ideological characteristics of Christian compassion, redemption, original sin spirit and modern drama, as well as the style of Chinese modern drama by Christian communication. Drama literature and other "progressive" influence, and strive to more systematic combing, induction, summing up the influence and significance of Christianity on modern drama.
【學(xué)位授予單位】：中國(guó)傳媒大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J824

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