本文選題：關(guān)漢卿 + 當(dāng)代語境　； 參考：《戲劇文學(xué)》2017年12期

【摘要】：正2017年,北京人藝繼1958年、1963年兩度排演田漢劇作《關(guān)漢卿》之后再次復(fù)排該劇,由唐燁擔(dān)任導(dǎo)演。解讀一部誕生于上世紀(jì)50年代的作品,在當(dāng)下與觀眾達成共鳴,當(dāng)代語境的考量必定是導(dǎo)演面對的課題,現(xiàn)代人的眼光與關(guān)漢卿歷史時期的眼光,與五十多年前作者的眼光之間有著怎樣的差異,又有哪些相通的地方,尊重并解析這些歷史的異同是尋找共鳴的務(wù)實且行之有效的途徑。
[Abstract]:In 2017, Beijing Human Arts rehearsed Tian Han's Guan Hanqing twice in 1958 and 1963, with Tang Ye as director. Interpreting a work born in the 1950s, which resonates with the audience at the moment, the consideration of the contemporary context must be the subject faced by the director, the vision of modern people and the vision of the historical period of Guan Hanqing. What are the differences and similarities between the author's vision and those of the author more than 50 years ago? it is a practical and effective way to find resonance by respecting and analyzing the similarities and differences of these history.
【分類號】：J824

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