本文選題：豫劇 + 淮劇��； 參考：《四川戲劇》2017年10期

【摘要】：正一、治學態(tài)度:厚積薄發(fā)博學敏銳鄧添天:盧昂教授您好。感謝您抽空接受訪談。今天,我們想就您的探學經(jīng)歷、導演志趣、導演方略以及導演風格定位依次展開,望不吝賜教。第一個問題。據(jù)我感知,對于戲劇,您從藝這30年,總有種"不畏浮云遮望眼,只想攀越更高層"的狠勁,每導一個戲,總能從整體反觀局部,從大處思量細部,梨園戲、越劇、豫劇、滇劇、秦腔、滬劇、淮劇、黃梅戲……樣樣切換自如,熨帖穩(wěn)妥。而且我聽說,豫劇《紅果,紅了》是您導的第一部戲曲,剛一試手,就在穩(wěn)健中
[Abstract]:Zheng one, academic attitude: thick and thin hair erudite acumen Deng Tiantian: professor Luang hello. Thank you for your time for the interview. Today, we would like to explore your experience, director interest, director strategy and director style orientation in turn, hope to give advice. The first question. As far as I know, for the drama, you have always had the ruthlessness of "not afraid of floating clouds to cover your eyes, just want to climb higher levels" from the 30 years of art. Every time you lead a play, you can always look at parts from the overall perspective, and consider the details from the big place, Li Yuan Opera, Yue Opera, Henan Opera. Yunnan Opera, Qin Opera, Shanghai Opera, Huai Opera, Huangmei Opera. Everything is freely switched and ironed safely. And I heard that Henan Opera "Red Fruit, Red" is your first drama, just a try, in the steady
【作者單位】： 上海戲劇學院導演系;上海戲劇家協(xié)會;四川省文化廳劇目工作室《戲劇家》編輯部;
【分類號】：J811

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相關(guān)碩士學位論文 前1條

1 任月瑩;豫劇在鄭州市中等職業(yè)教育中的實踐[D];鄭州大學;2017年

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