本文選題：山東聊城地區(qū)木板大鼓 + 東昌木板大鼓　； 參考：《聊城大學(xué)》2017年碩士論文

【摘要】：山東聊城地區(qū)木板大鼓是大運(yùn)河流域非常經(jīng)典的文化遺產(chǎn),對山東人民來說是比較珍貴的,它所帶來的文化氣息到目前為止,在世界上也受到了廣泛的贊賞和重視。隨著新型文藝形式的迅速發(fā)展,對傳統(tǒng)藝術(shù)沖擊嚴(yán)重,文化底蘊(yùn)十足的山東卻面臨著“文化生態(tài)危機(jī)”,而聊城地區(qū)木板大鼓也陷入了發(fā)展的“瓶頸”。因?yàn)榫W(wǎng)絡(luò)多媒體等媒介的快速廣泛發(fā)展,人們的文化生活和領(lǐng)域的絢麗多姿,使得人們不再關(guān)注諸如鼓曲類的發(fā)展。時代的進(jìn)步,社會的發(fā)展,鼓曲類的名家和藝人也都年事已高,年輕人愛好者極少,面臨著后繼無人的窘狀,現(xiàn)如今聊城地區(qū)僅存的東昌木板大鼓和臨清木板大鼓亦面臨著后繼無人的窘狀。面對木板大鼓的風(fēng)靡時代已經(jīng)成為過去式,再想重建曾經(jīng)的輝煌實(shí)屬不易,縱觀全國范圍關(guān)于曲藝方面的非遺傳承和保護(hù),基本上是停留在繼承沿襲的層面,而人才培養(yǎng)和曲目創(chuàng)新等環(huán)節(jié)相當(dāng)薄弱,要想長久發(fā)展,并非一朝一夕之功便見成效,必須下決心,突破瓶頸。本文主要是針對在山東大鼓的基礎(chǔ)上發(fā)展起來的快要瀕臨滅絕的聊城地區(qū)木板大鼓進(jìn)行研究,從山東大鼓支派的分布入手,梳理出聊城地區(qū)木板大鼓的起源,縱觀山東大鼓的發(fā)展歷程,從而正視聊城地區(qū)木板大鼓的現(xiàn)狀和生存發(fā)展中存在的一些問題,深入對山東聊城地區(qū)木板大鼓的音樂本體形態(tài)進(jìn)行探究分析,就其現(xiàn)狀找出相應(yīng)的解決辦法,使聊城地區(qū)木板大鼓得到生存并發(fā)揚(yáng)傳承下去。
[Abstract]:The wooden plank Drum in Liaocheng area of Shandong Province is a very classical cultural heritage in the Grand Canal Valley, which is precious to the people of Shandong Province. The cultural breath it brings has been widely appreciated and valued in the world up to now. With the rapid development of new forms of literature and art, there is a serious impact on traditional art, but Shandong, with its full cultural background, is facing a "cultural and ecological crisis", and the wooden plank drum in Liaocheng area has also fallen into the "bottleneck" of development. Because of the rapid development of multimedia and other media, people's cultural life and colorful fields, make people no longer pay attention to the development of such as drum music. The progress of the times, the development of society, drum music famous artists and old age, young enthusiasts, faced with the embarrassment of no successor, Now Liaocheng area only the Dongchang plank Drum and Linqing wooden Drum are also faced with the embarrassment of no one. In the face of the popular era of plank drums has become a thing of the past, it is not easy to rebuild the glory of the past. Throughout the whole country, the inheritance and protection of the non-legacy of quyi art is basically staying at the level of inheritance. However, talent training and track innovation are very weak. If you want to develop for a long time, you must make up your mind and break through the bottleneck. This paper is mainly aimed at the research on the plank drum which is on the verge of extinction on the basis of Shandong Dagu, starting with the distribution of Shandong Dagu tribe, combing out the origin of the plank drum in Liaocheng area. Taking a broad view of the development course of Shandong Dagu, in order to face up to the present situation and some problems existing in the survival and development of the plank Drum in Liaocheng area, and deeply explore and analyze the music Noumenon form of the plank Drum in Liaocheng area, Shandong Province, Find out the corresponding solution on its present situation, make the wooden board big drum of Liaocheng area get survival and carry on to pass on.
【學(xué)位授予單位】：聊城大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.9

【相似文獻(xiàn)】

相關(guān)期刊論文 前8條

1 張鴻懿;木板大鼓[J];中國音樂;1986年01期

2 成萌;;木板大鼓[J];曲藝;2012年03期

3 白麗娟;;臨清木板大鼓源流初探[J];北方音樂;2012年04期

4 蔣菁;京韻大鼓《丑末寅初》[J];中央音樂學(xué)院學(xué)報;1986年03期

5 生廉;京韻大鼓[J];中國音樂;1982年04期

6 方辰;吉川良和先生[J];大舞臺;2002年01期

7 陳鈞;;清末民初的音韻大鼓音樂(上)——《京韻大鼓音樂新論》(二)[J];樂府新聲(沈陽音樂學(xué)院學(xué)報);2010年04期

8 ;[J];;年期

相關(guān)重要報紙文章 前6條

1 呂宏友 周萬良 李文亮;滄州緊急拯救木板大鼓[N];河北日報;2004年

2 王堯邋匙中林;不讓絕活成絕唱[N];德州日報;2008年

3 董玉龍　王堯;鄉(xiāng)音鄉(xiāng)韻潤心田[N];德州日報;2008年

4 記者 邱振剛;中國曲協(xié)：歡笑帶給石油工人[N];中國藝術(shù)報;2010年

5 本報記者 程鴻飛 通訊員 孟昭福 孟慶劍;東昌府：一個文化惠民樣本[N];農(nóng)民日報;2012年

6 吳文科;回歸藝術(shù)質(zhì)樸本色[N];中國文化報;2010年

相關(guān)碩士學(xué)位論文 前1條

1 金艷霞;山東聊城地區(qū)木板大鼓的研究[D];聊城大學(xué);2017年

，

本文編號：1820871