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岳陽巴陵戲藝術(shù)特征和保護傳承研究

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  本文選題:岳陽巴陵戲 切入點:形成因素 出處:《湖南師范大學》2011年碩士論文


【摘要】:岳陽巴陵戲是湖南地方大戲劇種之一,形成于明末清初。流行于湘北以及湘西、贛西北、鄂東南等近四十個城鎮(zhèn)與鄉(xiāng)村。集湘北地方語言和中原音韻于一體進行演唱,是湘北地區(qū)戲劇的代表,深受當?shù)厝嗣竦南矏?在地方大戲劇種中占據(jù)重要地位。 岳陽巴陵戲原稱“岳州班”或“巴湘戲”,在其漫長的發(fā)展歷程中,涌現(xiàn)了許多膾炙人口的優(yōu)秀劇目,形成了熔多種唱腔于一爐的獨特聲腔體系,表演藝術(shù)有著一套系統(tǒng)而獨特的程式,獨創(chuàng)的武打絕技令人贊嘆,形成了細膩生動、粗獷樸實的表演風格,舞臺美術(shù)表現(xiàn)出獨特的地方民族色彩,戲班組織形式靈活多樣,使岳陽巴陵戲具有獨特而又多樣的藝術(shù)特征,綻放別樣的藝術(shù)魅力。 岳陽巴陵戲根植于民間,是岳陽人民勞動和智慧的結(jié)晶,是岳陽歷史文化及民風民俗的載體,其劇目、聲腔、語言及表演等承載了大量的寶貴信息,為研究岳陽民間文化、湖南地方戲曲發(fā)展,甚至中國戲曲的流變提供了豐富資料。 當今時代,科技迅猛發(fā)展,現(xiàn)代技術(shù)、流行音樂及新興文化場所備受歡迎,人們的審美需求也隨之發(fā)生改變,社會變革給岳陽巴陵戲帶來了前所未有的沖擊,傳統(tǒng)技藝大量流失,巴陵戲陷入危急存亡之秋。因此,作為音樂教育者和研究者,應責無旁貸地肩負起承繼藝術(shù)遺產(chǎn)的圣神使命,進一步發(fā)掘其藝術(shù)價值,使這一藝術(shù)瑰寶得以延續(xù),并在實際工作中加強對民族民間文化的保護、教育及傳承。 本論文以岳陽巴陵戲作為研究對象,從其形成的地理、經(jīng)濟、人文歷史等因素及發(fā)展歷程入手,著重對其藝術(shù)特征進行詳實的分析,以此挖掘出其多重的藝術(shù)價值,并從現(xiàn)實狀況出發(fā)探究其保護和傳承的有效措施。所以,論文的寫作兼具理論價值和現(xiàn)實意義,希望能夠借此研究對保護和繁榮民族民間音樂文化盡綿薄之力,對民族民間音樂文化的教育及傳承起到積極的推進作用。
[Abstract]:The Baling Opera of Yueyang is one of the great local dramas in Hunan, which was formed in the late Ming and early Qing dynasties.Popular in northern Hunan and Xiangxi, northwest Jiangxi, southeast Hubei and other nearly forty towns and villages.The local language of northern Hunan and the phonology of the Central Plains, which is the representative of the drama in the north of Hunan, is popular with the local people and plays an important role in the local drama.The Baling Opera of Yueyang was originally called "Yuezhou Bandan" or "Ba Xiang Opera". In its long development process, many excellent operas have emerged, which have formed a unique vocal system that melts many kinds of vocals into a furnace.The performing arts have a set of systematic and unique programs, and the original martial arts skills are admirable, forming a delicate and vivid, rugged and simple performance style. The stage art shows unique local national colors, and the organization forms of the theatrical troupes are flexible and diverse.The Baling Opera of Yueyang has unique and diverse artistic features and other artistic charm.The Baling Opera of Yueyang is rooted in the folk, is the crystallization of the labor and wisdom of the people of Yueyang, is the carrier of the historical culture and folk customs of Yueyang, and its repertoire, voice, language and performance carry a great deal of valuable information, so as to study the folk culture of Yueyang.The development of local opera in Hunan, and even the evolution of Chinese opera, provided abundant information.With the rapid development of science and technology, the popularity of modern technology, pop music and new cultural venues, people's aesthetic needs have changed, and social changes have brought unprecedented impact to the Baling Opera in Yueyang.With the loss of traditional skills, the Baling Opera fell into a critical state of existence.Therefore, as music educators and researchers, it is incumbent upon them to shoulder the sacred mission of inheriting the artistic heritage, to further explore its artistic value, and to make this art treasure continue.And in the actual work to strengthen the protection of national folk culture, education and inheritance.This paper takes the Baling Opera of Yueyang as the research object, starting with the geographical, economic, humanistic and historical factors of its formation and its development process, focusing on the detailed analysis of its artistic characteristics, in order to excavate its multiple artistic value.And from the reality of the situation to explore its protection and inheritance of effective measures.Therefore, the writing of the thesis has both theoretical value and practical significance, hoping that the study can contribute to the protection and prosperity of national folk music culture, and play a positive role in promoting the education and inheritance of national folk music culture.
【學位授予單位】:湖南師范大學
【學位級別】:碩士
【學位授予年份】:2011
【分類號】:J825

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