本文選題：清唱劇　切入點：彌賽亞　出處：《東北師范大學(xué)》2017年碩士論文

【摘要】：在歐洲音樂發(fā)展史上,宗教音樂一直是早期音樂藝術(shù)的搖籃和源泉,而在這其中的聲樂藝術(shù)是宗教音樂最重要的組成部分;可以說歐洲的音樂文化是起源于教會音樂文化的,從最初的基督教誕生,在到中世紀(jì)時期單聲部圣詠音樂的出現(xiàn)和后來的復(fù)調(diào)音樂發(fā)展以及巴洛克時期多種聲樂體裁的演變,歌唱藝術(shù)的發(fā)展歷程也是從單一到多樣化、從簡單到復(fù)雜化。巴洛克時期是聲樂藝術(shù)發(fā)展歷史上最輝煌的一個時期,歌劇的誕生、多種器樂和聲樂體裁的完善、閹人歌手精湛的歌唱技巧、從復(fù)調(diào)音樂到主調(diào)音樂風(fēng)格的轉(zhuǎn)變等,這是巴洛克時期與其它音樂時代所不同和獨特之處,思想的變革和社會的發(fā)展為這個時期的音樂注入了新的生命力。在這個時期有一位與巴赫齊名的偉大音樂家,就是喬治·弗里德里�！ず嗟聽�(George rideric Handel,1685-1759),他的創(chuàng)作領(lǐng)域涉及廣泛并且是一位多產(chǎn)的作曲家,他的作品以音樂風(fēng)格清晰、情感豐富細(xì)膩而聞名。亨德爾創(chuàng)作的歌劇和清唱劇曾被國王貴族高度贊揚,深受民眾的喜愛。亨德爾晚年期間,創(chuàng)作了三部偉大的清唱劇,其中的《彌賽亞》是他創(chuàng)作的最成功的一部清唱劇。《彌賽亞》使得人們記住了這位偉大而善良的“清唱劇大師”。他的作品是站在民眾的視角下,在繼承傳統(tǒng)優(yōu)秀成果的基礎(chǔ)上,對語言和音樂的表現(xiàn)手法和方式做出了創(chuàng)新,是音樂史上的一筆巨大的財富,更成為后人研習(xí)巴洛克時期歌唱技術(shù)的珍貴資源。本文選取亨德爾《彌賽亞》的唱段《錫安人民多么快樂》為研究對象,從三個部分闡述:清唱劇的文化淵源和《彌賽亞》的創(chuàng)作背景,歌曲的演唱分析來提出問題。針對第一部分查閱《基督教音樂文化》和《西方聲樂藝術(shù)史》等相關(guān)文獻(xiàn)資料,可發(fā)現(xiàn)西方音樂的發(fā)展深受宗教的影響,所以從基督教和聲樂藝術(shù)之間的關(guān)系為切入點,研究解決清唱劇與早期的聲樂藝術(shù)的關(guān)系和清唱劇與17世紀(jì)聲樂藝術(shù)之間的關(guān)系,最后對清唱劇的產(chǎn)生和發(fā)展,藝術(shù)形式進行梳理研究。第二部分需查閱亨德爾傳記和彌賽亞相關(guān)文獻(xiàn),對亨德爾清唱劇的創(chuàng)作歷程和音樂風(fēng)格進行梳理,研究亨德爾的宗教信仰和創(chuàng)作理念對他的影響,進而闡明《彌賽亞》的創(chuàng)作背景和作品內(nèi)容。第三部分是本文的研究核心,從筆者實踐歌唱出發(fā),發(fā)現(xiàn)亨德爾清唱劇的演唱特點和風(fēng)格,分析歌曲歌唱技術(shù)和語言、內(nèi)涵和版本等。筆者結(jié)合自身對歌曲的理解,分析亨德爾清唱劇的歌唱表演風(fēng)格和教學(xué)價值。
[Abstract]:In the history of European music development, religious music has always been the cradle and source of early musical art, in which vocal music art is the most important part of religious music.From the birth of Christianity to the emergence of monophonic chants in the Middle Ages and the subsequent development of polyphonic music, as well as the evolution of various vocal genres in the Baroque period, the development of singing art has also changed from single to diverse.From simplicity to complexity.The Baroque period was one of the most splendid periods in the history of vocal music development, the birth of opera, the perfection of various instrumental and vocal genres, the exquisite singing skills of eunuchs, and the transformation from polyphonic to dominant musical styles.This is the difference and uniqueness between Baroque period and other music times. The change of thought and the development of society infuse new vitality into the music of this period.There was a great musician like Bach at this time, George Friedrich Hendall rideric rideric Handeln 1685-1759. He wrote in a wide range of fields and was a prolific composer whose work was clear in musical style.The emotion is rich and exquisite and famous.Handel's opera and oratorio were highly praised by the king's aristocrats and loved by the people.In his later years, Handel wrote three great oratorios, among which Messiah was the most successful oratorio.His works are from the perspective of the public, on the basis of inheriting the traditional excellent achievements, the expression of language and music has been innovated, which is a great wealth in the history of music.It has become a valuable resource for later generations to study the singing techniques of Baroque period.This paper chooses Handel's "how happy the people of Zion" as the research object, and expounds from three parts: the cultural origin of oratorio, the background of "Messiah", and the singing analysis of songs to raise questions.In view of the reference to the first part of the literature such as Christian Music Culture and the History of Western vocal Music Art, we can find that the development of western music is deeply influenced by religion, so from the perspective of the relationship between Christianity and vocal music art,This paper studies the relationship between oratorio and early vocal music art and the relationship between oratorio and 17th century vocal music art. Finally, it studies the emergence and development of oratorio and its artistic form.In the second part, we need to refer to Handel biography and Messiah related documents, to sort out the creative history and music style of Handel oratorio, and to study the influence of Handel's religious beliefs and creative ideas on him.The background and content of the creation of Messiah are expounded.The third part is the core of this paper. From the author's practice of singing, the author finds out the singing characteristics and style of Handel oratorio, and analyzes the singing technology and language, connotation and edition of the song.The author analyzes the singing performance style and teaching value of Handel oratorio based on his own understanding of songs.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.2

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