發(fā)布時(shí)間：2018-03-29 22:32

  本文選題：裝置藝術(shù)　切入點(diǎn)：舞臺(tái)設(shè)計(jì)　出處：《南京航空航天大學(xué)》2011年碩士論文

【摘要】：當(dāng)裝置藝術(shù)用新的表現(xiàn)形式擴(kuò)寬了20世紀(jì)架上藝術(shù)的疆域,以其先鋒性、探索性、觀念性對(duì)當(dāng)代藝術(shù)進(jìn)行實(shí)驗(yàn)的時(shí)候,它自由寬泛的藝術(shù)形式,甚至作為重要的媒介和手段存在,必然對(duì)當(dāng)代舞臺(tái)設(shè)計(jì)也有著影響和滲透。它拆解、顛覆、烏托邦式的批判性創(chuàng)作將設(shè)計(jì)實(shí)驗(yàn)性的邊界向外拓展,給了藝術(shù)形式跨界發(fā)展的創(chuàng)新途徑。在這樣的實(shí)驗(yàn)作品中所積累的經(jīng)驗(yàn),可以被吸收、整合到舞臺(tái)設(shè)計(jì)過(guò)程之中,創(chuàng)作思想和方法對(duì)舞臺(tái)設(shè)計(jì)有著十分重要的指導(dǎo)性作用。 本文以裝置藝術(shù)這一開(kāi)放的藝術(shù)形式入手,立足梳理裝置藝術(shù)在舞臺(tái)設(shè)計(jì)中的應(yīng)用價(jià)值,分析了的融合的發(fā)展背景、兩者相通和互動(dòng)的關(guān)系,用裝置藝術(shù)的視角重新審視當(dāng)代舞臺(tái)設(shè)計(jì)。利用裝置藝術(shù)在設(shè)計(jì)構(gòu)成思維和創(chuàng)造思維上的啟示,上升到設(shè)計(jì)層面的啟示,將裝置藝術(shù)具象元素的構(gòu)成語(yǔ)匯和創(chuàng)作方式作為重點(diǎn),引入到舞臺(tái)設(shè)計(jì)中。本文將舞臺(tái)設(shè)計(jì)與裝置藝術(shù)進(jìn)行有機(jī)的融合的探討,將是舞美這一綜合藝術(shù)擴(kuò)大和提升自身設(shè)計(jì)境界的有益研究方向。
[Abstract]:When the installation art broadens the territory of the 20th century shelf art with new forms of expression and experiments with contemporary art with its pioneering, exploratory, and conceptual nature, it is a free and broad art form. Even as an important medium and means, it must also have an influence and infiltration on contemporary stage design. Its disassembly, subversion, and Utopian critical creation will expand the experimental boundary of design. The experience accumulated in such experimental works can be absorbed and integrated into the stage design process. Creative ideas and methods play a very important guiding role in stage design. Based on the application value of installation art in stage design, this paper begins with installation art as an open art form, and analyzes the development background of fusion, the relationship between the two, and the interaction between them. This paper reexamines contemporary stage design from the perspective of installation art. By using the inspiration of installation art in design composition thinking and creative thinking, it rises to the inspiration of design level, and focuses on the structural vocabulary and creative mode of installation art figurative elements. This paper discusses the organic fusion of stage design and installation art, which will be a beneficial research direction for the comprehensive art of dance beauty to expand and enhance its own design realm.
【學(xué)位授予單位】：南京航空航天大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J813.1

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本文編號(hào)：1683180