本文選題：道情　切入點：漁鼓　出處：《江蘇社會科學(xué)》2017年06期

【摘要】：明清以來,說唱道情在江蘇流傳久遠(yuǎn)廣泛。江蘇地區(qū)的文人道情由吟詠離塵絕俗之情,轉(zhuǎn)而寄托更加豐富的思想情感,具有現(xiàn)實干預(yù)精神。民間說唱道情由講述道教故事擴大為歷史故事和民間傳說。說唱道情以漁鼓、簡板為伴奏樂器,表演形式有沿街走唱、堂會演出、書場演出,傳播者有道徒、藝人、瞽者、乞兒,以及非職業(yè)演唱者的即興演唱。道情的內(nèi)容循著醒世覺人、勸善說教、感時傷世的軌跡緩慢地發(fā)生著變化。
[Abstract]:Since the Ming and Qing dynasties, rap sentiment has been widely spread in Jiangsu Province, where literati sentiment in Jiangsu has changed from chanting feelings from the world to relying on more abundant thoughts and feelings. It has the spirit of practical intervention. Folk rap and love has been expanded from telling Taoist stories to historical stories and folklore. The rapper sentiment is accompanied by fish drums and simple boards. The performing forms include walking along the street, performing in church meetings, and performing in bookstores. The improvisation of Taoists, entertainers, blind people, beggars, and non-professional singers.
【作者單位】： 揚州大學(xué)文學(xué)院;
【基金】：國家社科基金重大項目“古本散曲集成”(15ZDB074);國家社科基金項目“道情及其源流研究”(10CZW042) 江蘇省高校優(yōu)勢學(xué)科(PAPD)“文化傳承與區(qū)域社會發(fā)展”成果之一
【分類號】：J826;K248
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本文編號：1668917