發(fā)布時間：2018-03-21 22:23

  本文選題：柳子　切入點：腔型　出處：《中央音樂學(xué)院學(xué)報》2017年03期 　論文類型：期刊論文

【摘要】："南昆、北弋、東柳、西梆","柳子"曾在歷史上十分流行,有一定的影響力。而"東柳"的所指一直為人們所猜測。柳子戲是山東地區(qū)的重要戲曲形式,其中包含一個齊言體曲牌【柳子】,也就是柳子腔,這一腔調(diào)并不是柳子戲中主要應(yīng)用的腔調(diào),但柳子戲的"柳子"卻與這一腔調(diào)同名,可見其特殊性。本文的立意在于通過全國各地柳子腔的音樂分析,梳理其音樂形態(tài)和流傳變異關(guān)系,深入挖掘音樂形態(tài)背后的腔調(diào)內(nèi)涵,進(jìn)一步探討作為"腔"和"戲"的柳子的歷史變異,最終對歷史上"東柳"的所指作出判斷。
[Abstract]:"Nan-Kun, Bei-yu, Dongliu, Xi-Bang", "Liu Zi" was very popular in history and had a certain influence. What "Dongliu" refers to has been speculated by people all the time. Liu Zi Opera is an important form of opera in Shandong. It contains a Qi Yan qu card [Liu Zi], that is, the Liu Zi cavity, which is not the key tune used in Liu Zi Opera, but the Liu Zi Opera has the same name as Liu Zi Opera. It can be seen that its particularity. The purpose of this paper is to sort out the relationship between the music form and the variation of its spread through the music analysis of Liu Zi cavity all over the country, and to dig deeply into the connotation of the tone behind the music form. This paper further discusses the historical variation of Liu Zi as a tune and drama, and finally makes a judgment on the meaning of Dongliu in history.
【作者單位】： 中央音樂學(xué)院音樂學(xué)系;
【分類號】：J825
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本文編號：1645837