本文選題：圣-桑　切入點(diǎn)：歌劇　出處：《四川師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：從《圣經(jīng)》中被發(fā)展演繹出來的《參孫與達(dá)利拉》的故事,是《圣經(jīng)》故事中很引人制勝發(fā)人深省的關(guān)于英雄美人的悲劇故事,本人看到這部歌劇后思緒良多,對(duì)達(dá)利拉這個(gè)角色更是有很多很多的好奇,很想探知這個(gè)人物角色及在歌劇中的音樂形象塑造和內(nèi)心活動(dòng)。作曲家圣-桑在創(chuàng)作這部歌劇之后,在歌劇上演的問題了面對(duì)了很多困難和失敗,但他并沒有放棄,李斯特這個(gè)慧眼識(shí)珠的鋼琴大師后來看到了這部歌劇的劇本非常賞識(shí),在他的幫助和不遺余力的推崇下,在德國(guó)的魏瑪才登上了舞臺(tái),于1877年12月2日做了世界首次公演。本人希望能通過探索如何深刻細(xì)致地把握歌劇《參孫與達(dá)利拉》中角色達(dá)麗拉的個(gè)性特征,以準(zhǔn)確演繹該角色的音樂形象。不僅可以把達(dá)利拉在整部歌劇中體現(xiàn)出的藝術(shù)內(nèi)涵和審美價(jià)值進(jìn)行深入探索與發(fā)現(xiàn),也能有助于演唱者在達(dá)利拉角色的塑造上有更全面的詮釋。旨在提高個(gè)人對(duì)達(dá)利拉這一歌劇角色的理解認(rèn)識(shí),最終能把分析歌劇人物形象的能力舉一反三的應(yīng)用到其他歌劇其他角色的研究和演繹中去。在《參孫與達(dá)利拉》這部歌劇的時(shí)代背景前提下分析達(dá)利拉這一角色對(duì)整部歌劇的進(jìn)行走向有什么作用。通過圣·桑的音樂風(fēng)格與人物形象塑造的特點(diǎn),具體結(jié)合達(dá)利拉的人物塑造進(jìn)行分析。盡可能的對(duì)這部作品的劇情行進(jìn)及人物形象塑造進(jìn)行進(jìn)入探究,從而為塑造女主人公角色達(dá)利拉的形象和為之所運(yùn)用的表現(xiàn)方法做出較具體的闡述。
[Abstract]:The story of Samson and Darirah, developed from the Bible, is one of the most inspiring tragic stories about heroic beauty in the Bible. I have a lot of thoughts after seeing this opera. There was a lot of curiosity about the role of Darirah, and a lot of interest in finding out about the character and the musical image and inner activity in the opera. He faced many difficulties and failures in the performance of the opera, but he did not give up. Liszt, the discerning piano master, later saw that the play of the opera was very appreciated, and was greatly appreciated by his help and sparing no effort. Weimar entered the stage in Germany and performed for the first time in the world on December 2, 1877. I hope to find out how to grasp the personality characteristics of Darya in the opera "Samson and Darirah" in great detail. In order to accurately deduce the musical image of the character, not only can the artistic connotation and aesthetic value embodied by Darirah in the whole opera be deeply explored and discovered, It will also help the singer to have a more comprehensive interpretation of the role of Darirah. The aim is to raise personal understanding of the role of Darirah in the opera. Finally, the ability to analyze the characters of the opera can be applied to the study and interpretation of other opera characters. Under the background of the opera of Samson and Darirah, the role of Darirah is analyzed. What is the function of the whole opera? through the music style and characters of San Sang, Specifically combined with Darirah's characterization to analyze. As far as possible to the plot of this work and the character of the image of the journey into the exploration, In order to portray the heroine character Darirah's image and the performance method used for it to make a more specific elaboration.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J832;J617.2
，

本文編號(hào)：1645271