本文選題：小螃蟹　切入點：漫步街頭　出處：《戲劇文學(xué)》2017年09期 　論文類型：期刊論文

【摘要】：正青島�！稊嘟稹费莩鼋Y(jié)束后,我漫步街頭,不知不覺走到了海邊。在棧橋附近,海水有節(jié)奏地撫拍礁岸,陸地與海水之間,縱橫著一道道深深淺淺的溝渠,與大海似近似遠。一群成人和孩子在礁石灘上逮小螃蟹、小蛤蜊。想想剛圓滿完成的《斷金》北京與青島演出,看著享受著海邊"溝渠之樂"的人們,不由得感慨地想起了鄒靜之先生筆下富小蓮的臺詞:"流水不爭先,爭的是滔滔不絕……小溪漫流,最后到大海的還不定是誰呢。"《斷金》是我的第39部導(dǎo)演作品,排演的過程是一次從藝
[Abstract]:After the performance was over, I walked down the street and walked unconsciously to the seaside. Near the trestle, the sea rhythmically stroked the reef bank, and between the land and the sea, there were deep shallow ditches. A group of adults and children catch small crabs and clams on the rocks. Think about the newly completed Beijing and Qingdao performances, and watch the people enjoy the "ditches" by the sea. I can't help but think of Mr. Zou Jingzhi's lines written by Fu Xiaolian: "income does not scramble for the first, the argument is endless. The stream overflows, and who is the one who finally reaches the sea?" "broken Gold" is my 39th directed work. The rehearsal process is a process from the art
【分類號】：J824
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本文編號：1643355