本文選題：太白醉寫(xiě)　切入點(diǎn)：教學(xué)劇目　出處：《中國(guó)戲劇》2015年03期 　論文類(lèi)型：期刊論文

【摘要】：正《太白醉寫(xiě)》為山西梆子的傳統(tǒng)劇目,筆者融入川劇的精華和昆曲的優(yōu)點(diǎn),反復(fù)推敲、構(gòu)思,使該劇再次呈現(xiàn)于晉劇舞臺(tái)之上,為學(xué)院增添了一出既傳統(tǒng)又創(chuàng)新的教學(xué)劇目!排演該劇,使學(xué)生進(jìn)一步懂得:唱戲要唱情,演戲即演人,任何一位優(yōu)秀演員,最重視每個(gè)劇目中所創(chuàng)造的人物性格的豐富與多感。戲曲的唱腔,既要遵循劇種的特點(diǎn)規(guī)律,又要以人物情感為依托,做到聲情并茂。戲曲的表演動(dòng)作,既要一招一式去展示它的韻味和美,還要把劇中人物情感通過(guò)形體藝術(shù)充分地表現(xiàn)出來(lái)。
[Abstract]:"Taibai drunken Writing" is the traditional repertoire of Shanxi Bangzi. The author combines the essence of Sichuan Opera and the advantages of Kunqu Opera, repeatedly deliberates and conceive, so that the play is again presented on the stage of Jin Opera, and has added a teaching repertoire of both tradition and innovation for the College! By rehearsing the play, students will further understand that singing plays should be emotional, that is, to act as a person, and that any good actor should attach the greatest importance to the richness and multi-feeling of the character created in each play. The singing of opera should follow the characteristics of the drama. The acting action of the opera should not only show its charm and beauty, but also fully display the character's emotion through the body art.
【作者單位】： 山西戲劇職業(yè)學(xué)院;
【分類(lèi)號(hào)】：J825

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