本文選題：造型　切入點(diǎn)：地域性　出處：《河北師范大學(xué)》2009年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 中國(guó)皮影戲,是傳統(tǒng)的民間戲曲形式之一。戲中的演員——皮影人,在影戲演繹中起著不可替代的作用。影戲分布較廣,因地域的關(guān)系,影人一般多用牛皮、驢皮、羊皮等材料來(lái)雕鏤繪制,影人造型亦受地域性文化的影響較大,它與當(dāng)?shù)孛袼住㈡⒚盟囆g(shù)相互交融,進(jìn)而嬗變,形成了頗具地方韻味的形態(tài)特征。 本文即從皮影造型的美學(xué)體現(xiàn)、地域性特征體現(xiàn)、與姊妹藝術(shù)(其他戲曲造型)間的殊同體現(xiàn)三方面來(lái)探覓皮影造型藝術(shù)的審美意蘊(yùn),從而歸納出皮影造型的象征寓意性、夸張概括性、結(jié)構(gòu)完美性、程式化特征等美學(xué)內(nèi)涵,分析出皮影造型因受不同地域的民俗、劇目、劇種等影響而演變出的不同細(xì)節(jié)特征,以及影戲跟其他戲曲在歷史發(fā)展進(jìn)程中因相互借鑒而產(chǎn)生的造型異同。 本文在行文過(guò)程中,還插入了許多圖例,以便人們?cè)陂喿x的同時(shí)能夠圖文對(duì)照,更加直觀地去了解皮影造型藝術(shù)美。文章在結(jié)語(yǔ)部分分析了皮影造型與如今頗具市場(chǎng)潛力的動(dòng)漫造型有異曲同工之處,如果將其與動(dòng)漫設(shè)計(jì)等現(xiàn)代藝術(shù)相互融合,進(jìn)而邁入現(xiàn)代人們的生活領(lǐng)域,那么這對(duì)皮影來(lái)說(shuō)將是一種最有效的保護(hù)措施。
[Abstract]:Chinese shadow play is one of the traditional forms of folk opera. The actor in the play, the shadow person, plays an irreplaceable role in the interpretation of the shadow play. Parchment and other materials are carved and drawn, and the shape-making is greatly influenced by regional culture. It blends with local folklore and sister art, and then transmutes, forming the shape characteristic of local charm. In this paper, the aesthetic implication of shadow shaping art is explored from three aspects: aesthetic embodiment of shadow modeling, regional features, and the difference between sister art (other opera modeling), so as to conclude the symbolic implication of shadow modeling. The aesthetic connotations of exaggeration generality, perfect structure, stylized characteristics, etc., are analyzed to analyze the different details that the shadow shape has evolved under the influence of different regional folklore, repertoire, drama, etc. As well as shadow drama and other operas in the course of historical development due to mutual learning from the shape of similarities and differences. In the course of writing, many legends have been inserted so that people can read and compare pictures and text. In the conclusion, the article analyzes the similarities and differences between the shadow modeling and the animation modeling, which has great market potential, if it is combined with modern art, such as animation design, Then step into the field of modern people's life, so this will be the most effective protection for shadow.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：J827

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張敏;;中國(guó)西北與華北皮影的審美模式之比較[J];吉林藝術(shù)學(xué)院學(xué)報(bào);2011年06期

相關(guān)碩士學(xué)位論文 前1條

1 張凡;華縣皮影戲的民俗文化研究[D];青海師范大學(xué);2012年

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本文編號(hào)：1631464