本文選題：圣-桑　切入點：歌劇創(chuàng)作　出處：《上海音樂學(xué)院》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 卡米爾·圣-桑(Camille Saint-Saensl835—1921)是19世紀(jì)浪漫主義后期至20世紀(jì)初法國著名的作曲家、鋼琴家、管風(fēng)琴演奏家和指揮家,法國民族音樂協(xié)會創(chuàng)立者之一。他的作品數(shù)量超過170多部,涉及眾多音樂體裁。他一生共作歌劇13部,但至今仍上演不衰的當(dāng)屬《參孫與達麗拉》。參孫的故事,取自舊約圣經(jīng)中士師記的第十三章到第十六章。 本文透過對作曲家的創(chuàng)作和風(fēng)格,著力于《參孫與達利拉》的劇情演進和人物形象的分析進而對劇中女主角的角色及其主要唱段的演繹作具體闡述。 本文擬從以下幾個方面進行論述：第一部分概述作曲家的歌劇創(chuàng)作概況和藝術(shù)風(fēng)格；第二部分剖析該歌劇的人物形象及其在劇情和音樂發(fā)展中的性格刻畫；第三部分詳細分析達麗拉的三首詠嘆調(diào),聆聽比較不同版本的演唱處理,最后結(jié)合自身的演唱實踐,探索如何深刻細致地把握該角色的個性特征,以便準(zhǔn)確演繹該角色的音樂形象。本文力求在有關(guān)這部歌劇的音樂特色和主要唱段詮釋上提出自己的看法,以填補這一課題研究中鮮有涉獵的某些空白。
[Abstract]:Camille Saint-Saensl835-1921) is a famous French composer, pianist, organ performer and conductor from late 19th century to early 20th century. He wrote 13 operas in his life, but he still plays Samson and Darirah. The story of Samson is taken from the Old Testament Sgt. 13th to 16th. Through the creation and style of the composer, this paper focuses on the evolution of the plot and the characters of Samson and Darirah, and then expounds the role of the heroine and the deduction of the main choreography in the play. The first part is an overview of the composer's opera creation and artistic style, the second part analyzes the characters of the opera and its character in the development of the plot and music. The third part of the detailed analysis of three arias, listen to the different versions of the treatment of singing, and finally combined with their own singing practice, explore how to deeply and meticulously grasp the character of the character, In order to accurately deduce the musical image of the character, this paper tries to put forward his own views on the musical characteristics and the main vocals of the opera, so as to fill in some gaps in the research of this subject.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J832

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 劉名如;論浪漫主義中后期法國歌劇中的異域情調(diào)[D];上海師范大學(xué);2012年

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本文編號：1616608