本文選題：歌劇《白毛女》　切入點：東北解放區(qū)　出處：《沈陽師范大學》2011年碩士論文　論文類型：學位論文

【摘要】：本文認為歌劇《白毛女》在東北解放區(qū)的傳播對東北文學起到了再造的作用。這個再造的過程是在傳播環(huán)境、傳播媒介的共同作用下而促成的。其中,“八一五”光復后東北解放區(qū)復雜的社會文化環(huán)境為歌劇《白毛女》的傳播提供了有利的土壤,而文學方面的不統(tǒng)一局面也給中共傳播《白毛女》創(chuàng)造了良好的環(huán)境。歌劇《白毛女》是通過延安文人的組織性傳播介入到東北文學中,并通過東北文工團和各種文藝座談會兩個主要的傳播媒介在東北解放區(qū)傳播的。其中,各種文藝座談會的召開從理論上宣傳了《白毛女》在創(chuàng)作上所具備的理論基礎及創(chuàng)新意識,并由此激發(fā)了東北解放區(qū)的戲劇改良運動；而東北文工團則承擔了《白毛女》在整個東北解放區(qū)的演出任務,將歌劇《白毛女》演遍東北解放區(qū)的各個角落。 歌劇《白毛女》傳播后,得到了來自文藝工作者、知識分子、工農兵等各個階層的熱烈反響,受到了良好的演出效果。歌劇《白毛女》將階級意識以形象化的方式傳達給東北民眾,并由此促成了整個東北解放區(qū)的戲劇運動。在整個東北解放區(qū)的戲劇運動中,戲劇創(chuàng)作劇本數量多、質量高,使東北解放區(qū)的戲劇運動到了普及,并轉變了東北解放區(qū)的戲劇觀念。
[Abstract]:This paper holds that the dissemination of opera "White-haired Girl" in the Northeast liberated areas has played a role in reconstructing the Northeast Literature. The complex social and cultural environment in the Northeast liberated area after the restoration of "815" provided a favorable soil for the spread of the opera "White-haired Girl". The disunity of literature also created a good environment for the Communist Party to spread "White-haired Girl". The opera "White-haired woman" was involved in the Northeast Literature through the organized communication of the literati in Yan'an. And spread it in the Northeast liberated areas through the two main media of the Northeast Arts and Workers Corps and various literature and art symposia. The holding of various literature and art symposia theoretically propagandized the theoretical basis and innovative consciousness of the creation of "White-haired Girl", and thus inspired the drama improvement movement in the Northeast liberated areas. The Northeast Chinese Arts and Crafts Troupe performed "White-haired Girl" in the whole Northeast liberated area and performed the opera "White-haired woman" in every corner of the Northeast liberated area. After the spread of the opera "White-haired Girl", it received a warm response from literary and art workers, intellectuals, workers, peasants and soldiers, and so on. The opera "White-haired Girl" conveys class consciousness to the people in the Northeast in a visual way, and thus contributes to the dramatic movement of the whole Northeast liberated area. In the drama movement of the whole Northeast liberated area, The large number and high quality of drama plays made the drama movement in the Northeast liberated areas popularized and changed the concept of drama in the Northeast liberated areas.
【學位授予單位】：沈陽師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J822

【參考文獻】

相關期刊論文 前10條

1 孟遠;六十年來歌劇《白毛女》評價模式的變遷[J];河北學刊;2005年02期

2 黃科安;;延安文人:建構現(xiàn)代民族國家的本土話語體系——關于延安文學研究的再思考[J];海南師范學院學報(社會科學版);2006年04期

3 湯勝利;歌劇《白毛女》誕生前后[J];黨史文匯;2003年07期

4 王一川;論媒介在文學中的作用[J];廣東社會科學;2003年03期

5 肖向明;情歸革命——從《白毛女》看“革命時代的愛情”書寫[J];社會科學戰(zhàn)線;2005年05期

6 陳平原;大眾傳媒與現(xiàn)代學術[J];社會科學論壇;2002年05期

7 王富仁;朱鴻召;袁盛勇;;反思與重啟:延安文學及其研究的當代性(專題討論)[J];學術月刊;2006年02期

8 趙園,錢理群,洪子誠,吳曉東,賀桂梅,趙京華,呂晴,秦弓,田禾,范家進,趙稀方,楊聯(lián)芬,段美喬,牧陽一;20世紀40至70年代文學研究:問題與方法[J];中國現(xiàn)代文學研究叢刊;2004年02期

9 袁盛勇;“黨的文學”:后期延安文學觀念的核心[J];中國現(xiàn)代文學研究叢刊;2005年03期

10 袁盛勇;民族—現(xiàn)代性:“民族形式”論爭中延安文學觀念的現(xiàn)代性呈現(xiàn)[J];文藝理論研究;2005年04期

相關博士學位論文 前2條

1 胡玉偉;“歷史”的規(guī)約與文學的建構[D];東北師范大學;2006年

2 孟遠;歌劇《白毛女》研究[D];中國人民大學;2005年

，

本文編號：1611274