本文選題：晉劇史　切入點：晉劇劇目　出處：《山西師范大學》2017年博士論文　論文類型：學位論文

【摘要】：晉劇是中國北方戲曲中具有特色的代表性劇種之一,它的歷史悠久、劇目豐富、音樂獨特、表演技藝高超,已被列為國家級非物質(zhì)文化遺產(chǎn)。為了更好地保護晉劇藝術遺產(chǎn),使之能夠作持續(xù)性發(fā)展,近年來晉劇受到社會各界更多的關注,戲曲界學者對之進行了大量的研究工作,主要集中于戲劇文本研究,表演藝術家研究、戲曲音樂研究等選題。出于各種原因,晉劇藝術全面而系統(tǒng)的理論性研究成果至今未見。晉劇藝術是一種舞臺表演藝術,由于歷史原因,古代與近代史料奇缺,散見于一些有關的回憶錄、藝術雜談等文章中,至于當今晉劇的戲劇改革,特別是晉劇樂隊音樂的現(xiàn)代化發(fā)展,學術界還未來得及總結(jié)。為了彌補晉劇藝術研究中這些缺失點,本文以晉劇藝術研究為題,試對之進行系統(tǒng)而全面的研究,以期對晉劇藝術遺產(chǎn)的保護工作貢獻一份力量。本文設晉劇的產(chǎn)生、傳播、班社、劇目、音樂、表演、音樂創(chuàng)新等七個章節(jié),對晉劇藝術進行系統(tǒng)研究。每個章節(jié)中特別針對前人未涉及的問題做了深入挖掘,以補缺失。如晉劇為何能夠在舊時交通極不發(fā)達的情況下遠播外省,為何在晉商衰落以后能夠繼續(xù)留在冀蒙陜?nèi)〉牟糠值貐^(qū)并開花結(jié)果?而在其它地區(qū)卻隨晉商一起銷聲匿跡?對這些疑問學界尚未進行深入思考,本文在探索晉劇傳播省外的動因時發(fā)現(xiàn),晉劇在冀蒙陜落戶地區(qū)均為北方“晉語區(qū)”。這些新“晉語區(qū)”的形成與明清時期的山西移民有直接關系,相近的習俗與方言正是晉劇能夠在這些地區(qū)扎根的根本原因。本文通過大量史料分析理清了晉語區(qū)的形成與晉劇落戶這三省的聯(lián)系。長期以來,對于晉劇班社的經(jīng)濟來源少有學者進行探索,一方面是囿于史料的缺乏,另一方面則是學界對班社的經(jīng)濟狀況長期不重視造成的,以戲謀生的職業(yè)戲班資金來源是怎樣的呢?本文從廟臺廣場演出、會館演出、園館演出、堂會演出四個方面進行了探索,對班社經(jīng)濟來源方面的研究進行了補充。關于晉劇劇目研究,至今仍沒有具體的統(tǒng)計數(shù)字。此前山西省戲曲研究所曾進行過兩次劇目(本)的整理,李謙光先生于2015年也曾做了晉劇劇目的收集整理工作。但這三次劇目統(tǒng)計均以劇情的發(fā)生年代作為分類標準,這樣分類難以了解晉劇各發(fā)展時期曾上演過的劇目類型,因此為探索劇目與晉劇發(fā)展演變之間的規(guī)律帶來困難。要解決這一問題,最嚴謹?shù)刈龇礊閷ξ枧_題壁中有關班社、劇目、上演年代等記載進行統(tǒng)計,通過對各時期劇目題材、內(nèi)容的分析摸索晉劇的發(fā)展規(guī)律。但舞臺題壁史料極度缺乏,收集困難,本文收集了近40個舞臺題壁,大量劇目的來源則通過王永年老藝人口述、劉巨才先生執(zhí)筆的《晉劇百年史話》以及各地方志、戲曲志的記載。本文對近三十年來晉劇舞臺上上演的劇目,包括新編傳統(tǒng)戲、改編傳統(tǒng)戲、現(xiàn)代戲等進行了統(tǒng)計分析,這項工作是對以往三次劇目統(tǒng)計的補充。為了更透徹地了解劇目與各劇種之間的關系,本文對600多出劇目進行了移植劇目、共有劇目、生僻劇目、昆曲、小戲(稍戲)、晉劇獨有劇目、折子戲7個類別的分類,進一步摸索了晉劇劇目的來源與演變。對于晉劇音樂的研究,前人多從傳統(tǒng)晉劇的唱腔、樂器演奏等方面進行分析,對于近三十年來的晉劇現(xiàn)代樂隊編制和樂隊創(chuàng)作研究未曾涉及。本文自晉劇傳統(tǒng)音樂設計到當代音樂創(chuàng)作的發(fā)展演變進行了大量譜例分析,具體闡述了晉劇傳統(tǒng)音樂設計與當代樂隊創(chuàng)作在形態(tài)、結(jié)構(gòu)上的改革與創(chuàng)新。本文的寫作建立于大量的考察采訪工作之上,為了達到研究的真實性,即便是已有的史料也需要做進一步的核實,通過考察采訪工作筆者得到了許多珍貴的第一手口述史料,在大量的研究工作基礎上,形成了本文寫作的基本框架。本文在研究中運用了文獻學、漢語方言學、田野考察、統(tǒng)計學、戲曲圖像學等方法以增強論文寫作的客觀性與科學性。
[Abstract]:Jinju is one of the representative characteristics of Chinese North opera opera, it has a long history, rich repertoire, unique music, brilliant performance, has been listed as a national intangible cultural heritage. In order to better protect the Jinju art heritage, so as to make sustainable development in recent years, Jinju from all walks of life more attention, drama scholars have done a lot of work, mainly in the drama text research, research topics of performing artists, opera music and so on. For various reasons, Jinju art comprehensive and systematic theoretical research results so far. Jinju art is a kind of performing art, due to historical reasons, the ancient with the modern historical data are scarce, in some related topics such as memoirs, art paper, as the Jinju drama reform, especially the development of modern Jinju orchestra music academic circles. Has not yet concluded. In order to compensate for these missing points Jinju art of study, this paper tries to study Jinju art as the topic, the research systematically and comprehensively, with protection of art heritage in order to Jinju a force. This Jinju production, communication, social classes, repertoire, music, performances, music innovation in the seven chapters, systematic study of Jinju art. Each chapter in our predecessors did not involve the problems deeply mining, to fill the missing. Such as why can the old Jinju transportation under the condition of its provinces, why the decline will continue to stay in the later parts of Hebei and Shanxi provinces and Mongolia blossom? And in other regions but with the merchants together disappeared? These questions of scholars has not yet in-depth thinking, found in exploring the motivation of this spread outside Jinju, Shaanxi Mongolia settled in Tianjin Jin Ju For the northern region were "Jin area". There is a direct relationship between the formation of the new "Jin Qu in the Ming and Qing Dynasties Shanxi immigration, customs and dialect similar is the root cause of Jinju in these areas to take root. In this paper, through a large number of historical data analysis to clarify the formation of the Jin dialect and Shanxi provinces. It plays in for a long time, Jinju class club economic sources less explored scholars, one is lack of historical data, on the other hand, scholars of the social class's economic situation has been ignored for a long time due to a drama troupe, occupation source of funds is? This paper from Taiwan temple square performance hall show, garden hall performances, meeting show four aspects, on social class economic sources were added. About Shansi opera is still not on specific statistics. After Shanxi province drama research The conducted two productions (this) order, Mr. Li Qianguang in 2015 has made the Shansi opera collection work. But the three statistics were to occur in the repertoire of the plot as a classification standard, so it is difficult to understand the drama genre classification of Jinju in different development period has been staged, so difficult to to explore the repertoire with the evolution rule of Jinju. To solve this problem, the most rigorous approach is on the stage of the repertoire of class society, age, staged records statistics, period by the analysis of the content of the play theme, explore the development regularity of Jinju. But the stage wall historical extreme lack of collection this paper collected nearly 40 difficulties, a stage wall, a lot of drama from Wang Yongnian through the old artist oral, Mr. Liu Jucai to write "a hundred years history of Jinju > and local chronicles, records of the opera. On the stage of Jinju nearly thirty years of Traditional Opera repertoire, including a new adaptation of traditional drama, modern drama, and conducted a statistical analysis, this work is complementary to the previous three statistical repertoire. In order to better understand the relationship between drama and drama, this paper transplant repertoire of the more than 600 repertoire. There are rare operas, plays, opera, opera (a play), Jinju unique repertoire, excerpts from the 7 categories of classification, to further explore the sources and evolution of the Shansi opera for Jinju music, from the previous traditional Jinju sing cavity, musical instruments and other aspects of the analysis, for the past thirty years the modern orchestra and band Jinju creation research not involved. From the traditional design to the development of contemporary music as music creation evolution made a lot of examples analysis, elaborated the Jinju traditional music design and contemporary band Writing in the form, the reform and innovation of the structure. This paper based on lots of investigation and interview work, in order to truly achieve the research, even if the existing historical data also need further verification, through the investigation of the interview to get a lot of valuable first-hand oral history, in a large number of basic research work on the formation of the basic framework of the article. This paper studies the use of literature, Chinese dialectology, field investigation, statistics, and other methods to learn opera image to enhance the objectivity and scientific writing.

【學位授予單位】：山西師范大學
【學位級別】：博士
【學位授予年份】：2017
【分類號】：J825

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本文編號：1610784